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Akiko Kanda

Acting

Known For

And Then Akiko Is...  A Portrait of a Dancer
N/A

Sumiko Haneda returns to film what will be the final bits of Akiko Kanda's life, documenting Kanda's will to dance as she struggles with terminal cancer.

And Then Akiko Is... A Portrait of a Dancer

2012
Angel's Smile, Devil's Tears
N/A

This musical play is based on the first act of Goethe's Faust. The angel Mephistopheles is condemned to fall from heaven after committing a sin. He is told that he can only return to heaven if he can bring a human being on the path of salvation. Mephistopheles refuses, believing that man is inherently evil. Vowing to drag a human down to hell along with him, he descends onto Earth and sets his sights on a man named Faust, an aged professor with no will to live.

Angel's Smile, Devil's Tears

1989
Night Journey
5.9

Night Journey, the dance, had its premiere only two and a half years after Appalachian Spring, and it is a close cousin. It too has a stream-of-consciousness narration: Jocasta, as she is about to kill herself, remembering what has happened to her. It too contains soul-delving solos, broken up by ensemble dances. Here, however, the ensemble is a darker element. As the story was taken from Greek tragedy, so the corps is the equivalent of Greek tragedy’s chorus. They tell us how to feel: afraid mostly. In this piece Graham pushed her habitual economy to its limits.

Night Journey

1960
Akiko: Portrait of a Dancer
N/A

“I have three tasks in my life: to dance, to teach dance, and to create dance,” says the pioneering Japanese performer Akiko Kanda in this intimate portrait of creativity and individuality, After seeing a Martha Graham performance in college, Kanda left her family behind in Japan and arrived in New York City, where she studied under the legendary Graham and became a principal dancer with the troupe. Following the wiry artist as she moves from practice floor to performance hall, and from the cramped single-room apartment she lives in to a trip home to see her aging mother, director Sumiko Haneda reveals a woman who has rebelled against traditional ideals of marriage and motherhood, and who nearly single-handedly brought modern dance to Japan-and kept it alive. “When I die,” Kanda tells the director, “I will be content if I can just say, ‘I danced.'”

Akiko: Portrait of a Dancer

1985