Marcello G. Tassara
Directing
Known For
No description available.
Anos 30: Entre Duas Guerras, Entre Duas Artes
Reconstitution, through photos, films and texts, of the arrival in Brazil of the poet Cendrars, in 1924. Tributes received, visits throughout the country and the desire to make a "100 percent Brazilian film". Testimonials from figures who lived with the intensity of the core of modernist artists: Tarcila do Amaral, Oswald de Andrade, Mário de Andrade and Di Cavalcanti. Scenes from São Paulo, Rio de Janeiro, São Martinho Farm and the 1924 Revolution. Scenes from the movie LES HEURES CHAUDES DE MONTPARNASSE. Reference to Aleijadinho and Febrônio Indio do Brasil.
Acaba de Chegar ao Brasil o Bello Poeta Francez Blaise Cendrars
No description available.
Cacilda
No description available.
Museu de Arte de São Paulo Assis Chateaubriand
No description available.
Abeladormecida: Entrada numa Só-sombra
No description available.
O Brasil, Os Índios e, Finalmente, A USP
No description available.
De Revolutionibus
No description available.
People of Moon, People of Blood: Yanomami document 1972-1982
Images of the Minas Gerais backlands (human types, geographical aspects, domestic chores) with texts by Guimarães Rosa, extracted from Grande Sertão: Veredas.
A João Guimarães Rosa
Documents the demolition of the Mendes Caldeira Building in São Paulo, Brazil on November 16th, 1975, being at the time, one of the tallest and largest buildings ever imploded in the world, after the implosions of many structures such as the Traymore Hotel (Atlantic City, USA, 1972).