Directing
We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.
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Through an online videocall, Victor Konskier reads a poem by portuguese poet Fernando Pessoa.
A problem of the past is rotting in the corner of the office, and the smell doesn't allow Dad to work in peace.
A statue steps down from the pedestal and sets out in search of her Creator, the cold Queen of the Night. In the urban night, she encounters mysterious figures that disappear like shadows. Freely inspired by characters from Mozart's opera, The Magic Flute.
In the cemetery of images, a fox wanders above the Klipot, in which lie industrial memories of life and death.
Strange dreams wake you up to the nightmarish reality of solitude. Made during the COVID-19 pandemic.
After a boy and a girl meet at a party, strange desires begin to appear.
A British Picture follows Walter, an eccentric foreigner adrift in London with his pet skull Galathea, hopelessly in love with his landlady Charlotte. Part travelogue, part experimental satire of English cinema clichés, the film frames the city as a canvas where images break free of their restraints.
Result of experiments on 35mm film. Images extracted from 'The Man Who Was Turned into Juice,' directed by João Batista de Andrade.
Unaware that they are both involved with Capucine, Henri and Charles debate historical and literary figures in a Parisian bookstore.
Father Fernando, a tormented theology professor, encounters images of past and forbidden desires as he follows an enigmatic woman in black. Based on the Symbolist universe of Cruz e Sousa.
