Jammer

Amelia Dimoldenberg meets a celebrity guest at a local chicken shop for a date, engaging in casual, awkward, and sometimes flirtatious conversation.

Riko and Kane have got it all: big dreams, no respect and a fifteen grand debt. Could things get any worse? Yes! So, it’s time to man up and finally be taken serious as “Roadmen”. Once putting their heads together on various ways to make some money, they decide to rob a megastar in a nightclub toilet and hold up the local bank but things inevitably don’t go to plan!

Kenneth (who likes to call himself Kay) begins to realise he's just another wannabe bad boy... even less than a loser in fact. After quitting his job at Laimsbury's, Kay vows to become a respected gangster... or cry trying. A pulls-no-punches, coming-of-age story, centering on one directionless hopeless "shotter", who finds his true worth in the face of urban adversity.

They called it young black kids’ punk rock - a genre that radio stations wouldn’t play and records that labels refused to sell. But grime would not be stopped. With machine-gun lyrics that shred the eardrums and syncopated electronics that pound the chest like a sledgehammer, grime was a product of social unrest, urban culture and disenfranchised youth colliding in early 2000s UK. It didn’t just rouse a grassroots audience, however. Today, grime is surging in popularity all over the globe and widely influencing the music charts. This is the story of the genre’s roots.

Dizzee Rascal, Skepta, JME, Footsie, Jammer, Fekky, Lethal Bizzle, Tempa T & General Levy spit together for the first ever Grime Takeover on #SixtyMinutesLive​ for MistaJam's BBC Radio 1Xtra Show.

In February, Just Jam's event at The Barbican was cancelled at the last minute. It was an event that seemed to be yet another victim of the London authorities now notorious risk assessment procedure, Form 696.