John Barrymore

The original concept of the show was to allow the viewer to see the inner workings of a movie studio and featured interviews with MGM stars and explanations of how movies were made. Later, the format changed to show edited versions of MGM films.

Guests at a posh Berlin hotel struggle through worry, scandal, and heartache.

The young Austrian princess Marie Antoinette is arranged to marry Louis XVI, future king of France, in a politically advantageous marriage for the rival countries. The opulent Marie indulges in various whims and flirtations. When Louis XV passes and Louis XVI ascends the French throne, his queen's extravagant lifestyle earns the hatred of the French people, who despise her Austrian heritage.

An ambitious New York socialite plans an extravagant dinner party as her businessman husband, Oliver, contends with financial woes, causing a lot of tension between the couple. Meanwhile, their high-society friends and associates, including the gruff Dan Packard and his sultry spouse, Kitty, contend with their own entanglements, leading to revelations at the much-anticipated dinner.

Erstwhile childhood friends, Judah Ben-Hur and Messala meet again as adults, this time with Roman officer Messala as conqueror and Judah as a wealthy, though conquered, Israelite. A slip of a brick during a Roman parade causes Judah to be sent off as a galley slave, his property confiscated and his mother and sister imprisoned. Years later, as a result of his determination to stay alive and his willingness to aid his Roman master, Judah returns to his homeland an exalted and wealthy Roman athlete. Unable to find his mother and sister, and believing them dead, he can think of nothing else than revenge against Messala.

A temperamental Broadway producer trains an untutored actress, but when she becomes a star, she proves a match for him.

Little Albert Mills, eight years old, reads in the paper the accounts of the abduction of children and holding them for ransom. He conceives the idea of playing the game on his little sister, Henrietta. He writes a note reading, "I have your children. Put four thousand dollars under the stone on front porch and I will bring them back. They are now hanging by the hair. Blue Beard." He then tells Henrietta to look the other way, and he takes her dolls out of the doll buggy and hides them in the garden. Then he places the note in the rural delivery mailbox at the front gate. A little later a young fellow brings an auto up to the gate and the children plead for a ride. After a little hesitancy he consents and the children are carried away to the park. Mrs. Mills misses the children and finds the note in the mail box. She takes the matter seriously, and gathering a lot of neighbors and a policeman, gives chase to the auto.

An aging opera singer looks back on her long life, including her relationships with her vocal teacher and a student.

A charming and very daring thief known as Arsene Lupin is terrorizing the wealthy of Paris. He even goes so far as to threaten the Mona Lisa. But the police, led by the great Guerchard, think they know Arsene Lupin's identity, and they have a secret weapon to catch him.

An unemployed American showgirl poses as Hungarian royalty to infiltrate Parisian high society.

Gene Kelly and Fred Astaire present more golden moments from the MGM film library, this time including comedy and drama as well as classic musical numbers.

A doctor's research into the roots of evil turns him into a hideous depraved fiend.

A collection of film clips profiling animal actors.

Brazilian documentary film directed by Salvyano Cavalcanti de Paiva that showcases the evolution of Brazilian artists in the American film industry between the late 1920s and 1950s. Using archive footage, it highlights the contributions of figures like Carmen Miranda.

This film tells the history of the United States from pre-Revolution through 1939.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

Now hear this. The studio that gave the cinema its voice offered 1929 audiences a chance to see and hear multiple silent-screen favorites for the first time in a gaudy, grandiose music-comedy-novelty revue that also included Talkie stars, Broadway luminaries and of course, Rin-Tin-Tin. Frank Fay hosts a jamboree that, among its 70+ stars, features bicyclers, boxing champ Georges Carpentier, chorines in terpsichore kickery, sister acts, Myrna Loy in two-strip Technicolor as an exotic Far East beauty, John Barrymore in a Shakespearean soliloquy (adding an on-screen voice to his legendary profile for the first time) and Winnie Lightner famously warbling the joys of Singing in the Bathtub. Watch, rinse, repeat!

Young love is poisoned by a generations long feud between two noble families.

A documentary about the glorious history of Metro-Goldwyn-Mayer Studios and its decline leading to the sale of its back lot and props. By extension this provides a general history of Hollywood's Golden Age and the legendary studio system.

Kitty Carroll, an attractive store model, volunteers to become a test subject for a machine that will make her invisible so that she can use her invisibility to exact revenge on her ex-boss.