Camille de Chenay

Baptiste has been dumped. Alone, he waits for his friend Karim to help him get rid of the last piece of furniture in the apartment he shared with his girlfriend: a sofa. When Karim arrives, he tells him that he too has been dumped.

When she was working as cutter for films like La Carrière de Suzanne, La Collectionneuse and La Boulangère de Monceau, Jackie Raynal was most fascinated by how Rohmer handled sound. Unusual in times of digital access to every sound bit, the director insisted on using the original sound from exact the same place and time where the scene has been shot. So every bird, every gust of wind and every tree got it’s specific sound.

Halima is a young woman who doesn't go unnoticed. Along with writing militant articles on her blog, she works as a receptionist and hangs out with her group of flamboyant friends. The thing is, her student visa is about to expire. Moving in worlds which seem hostile to her, Halima tries to find her place.

On a foggy afternoon, a woman who is lost in the middle of the countryside, finally reaches him on the phone. She calls him “darling” but has to give back his letters.

On the western-most point of Brittany, in the lighthouse, at night, Damien is busily building a mysterious something out of pieces of mirror. The more the storm makes itself known, the more he hurries. When Isabelle arrives in the village, suddenly he is seized by a sense of urgency.

A work that is both narrative and experimental, with the omnipresence of a strange, disturbing and playful piano for the chaotic journey of its central character which does not fail to intrigue.

The philosopher and sociologist of science Bruno Latour shares his thoughts with Nicolas Truong on the new world that is emerging with climate change and outlines the main elements of his thinking.