
Margarete Kupfer
Acting
Biography
Margarete Kupfer (born Margarete Kupferschmid; 10 April 1881 – 11 May 1953) was a German actress.
Known For

The favorite slave girl of a tyrannical sheik falls in love with a cloth merchant. Meanwhile, a hunchback clown suffers unrequited love for a traveling dancer who wants to join the harem.
Sumurun

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.
Baby

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.
Woman in the Moon

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.
In the Slums of Berlin
No description available.
Fräulein Mama

Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig from the rear building gives the newly-arrived Frau Kaminski, the janitor's wife, a lively initiation into the tenants and their peculiarities.
People Among Us

The tragic story of Don Jose, a Spanish cavalryman, who falls under the spell of a gypsy girl, Carmen, who treats him with both love and contempt and leads him into temptation and thus damnation.
Carmen

In the Crimea, the Reds and the Whites aren't done fighting, and Jeanne discovers that the man she loves is a Bolshevik (when he kills her father). Penniless, she returns to Paris where she works for her uncle. Soon after, her lover Andreas is in France to organize the sailors in Toulon. So also is a thief, traitor, and libertine, Khalibiev, who wants to seduce Jeanne. His schemes, Jeanne and Andreas's naivete, and a lost diamond bring the lovers to the brink of tragedy.
The Love of Jeanne Ney

An Austrian prince hatches a plan to keep his rival, the Russian czar, busy by keeping him surrounded by beautiful women and away from the negotiating table. The Czar, however, has his own plan—he hires a man who is his exact double to impersonate him and confuse the Austrians by appearing to be everywhere at once. In addition, both the Czar and his double fall for the same woman.
Congress Dances

No description available.
Faschingszauber

In Corsica, Marianna Paoli's brother is killed by an Englishman whose identity is unknown to her. She swears vengeance and tracks the killer to Monte Carlo. There she falls in love with a handsome young officer, only to discover that he is the murderer she has sworn to punish.
Vendetta
Paul and Peter share a garret flat. Paul is smitten with Anni, but her father forbids their match. Then Paul inherits a fortune—on one condition: he mustn’t marry “a girl.” Desperate, they scheme a sham marriage: Peter weds Anni so she’s no longer “a girl,” allowing Paul to claim his inheritance. Jealous at first, Paul watches as Peter and Anni wed, until, after their quick divorce, Paul finally wins Anni’s hand for real.
Eins + Eins = Drei

Egyptians Radu and Ma milk British tourists out of their money by offering phony tours of a mummy's tomb-- Radu has the girl lend her eyes to the "mummy" from inside an empty sarcophagus. When adventurer Wendland comes to visit the tomb, Ma is rescued and falls in love with him, leaving Radu in the dust. Needless to say, her former employer / captor follows them abroad in order to exact his revenge.
The Eyes of the Mummy
The Parisian restaurant "At the Oyster King's" is looking for a new waitress, whose job would be to crack open oysters with a newfangled oyster cracker (how exciting!). But who would have thought that this newfound invention would lead to so much turmoil (they're French, aren't they?)?! Through a mix-up, Lilli Dupont gets the job. But Lilli is no waitress, but rather a talented singer, waiting in vain for an engagement. She takes the job and soon every male visitor is laying at her feet. So that Lilli doesn't constantly have to fight off all the horny men, the cashier Aristide spreads the rumor that Lilli is actually the daughter of the millionaire van Muhlen, to whom the "Oyster King" belongs (daughter of a millionaire?!? Oh yes, of course: that will dissuade potential suitors!).
Die Austernlilli

When Ilona visits her married friend Otti, she is just delighted to discover that the man she likes is not other than Otti's brother-in-law, Paul. As he is in need of a maid, she disguises herself as such to try to enamour him.
Paprika

No description available.
Die Frau ohne Vergangenheit

No description available.
Das Erwachen des Weibes

An attempt to mimic the artistic success of Urlaub auf Ehrenwort and zwei in einer großen Stadt though it's neither romantically nor in a patriotic way as involving. Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. And the third enters a romance due to a mistaken identity which at the end provides a tiny bit of drama in a film which otherwise bends over to show how happy the home front is and supportive of its soldiers. Some nice location shooting, but neither story nor stars amount to much.
A Beautiful DayGER

A teenage tomboy, tired of being bossed around by her strict guardian, impersonates a man so she can have more fun. She quickly discovers that being the opposite sex isn’t as easy as she had hoped for. What ensues is a gender-bending comedy decades ahead of its time.
I Don't Want to Be a Man
In the nineteenth century a young Jewish woman living in the part of Poland controlled by Austria, meets an Austrian Count at a ball held by one of her father's business associates. After he rescues her from the unwanted attentions of a Polish army officer, they fall in love.