Nikolay Trofimov

Little dog Kashtanka is stolen, sold, tossed out into the street and saved by a clown. Young Fedyushka gets lost looking for the dog and ends up a prisoner of the sinister Mazamet who compels him to rove from house to house to make money, while Fedyushka’s father wanders through the streets in search of his lost child.

A loose Communist adaptation of a Dostoyevsky novel. The serf Egor Efimov, a talented violinist, dreams of true art. Released by his landlord, he goes to the capital. But cold, bureaucratic St. Petersburg quickly destroys his illusions.

The plot is built around two charming sisters — a strict, wayward Galina, an assistant professor of mathematics, and a windy, frivolous student Shurochka. Despite the fact that the girls are so different, they are looking, of course, for one thing — love. The events take place in the summer pre-war Moscow and in the country where both sisters go: one in order to prepare for the re-examination, the other — to conduct math classes with the military from the Yuryev Camps located near the dacha village. Funny and difficult situations, intrigues, tears, joy — all this will be experienced by young girls on the way to their happiness.

In a Kazakh village at the beginning of Soviet power, a wealthy kulak (landowner) voluntarily denounces his opposition to the new regime and hands over his large home to be a new school for the children of the villagers. But three people in the village have difficulty believing that their class enemy is now their friend.

Before the attack on the village, captured by the Nazis, the commander decides to carry out a distraction — a concert of the front-line brigade of artists. Chef Antosha Rybkin is assigned to play the role of... a German corporal. Dressed in an enemy uniform, he gets to the rear of the enemy and helps his liberate the village.

When Shura's sister dies, Shura starts taking care of her newly orphaned niece. Her fiancee, Grisha thinks the child may be Shura's own, and his suspicions estrange them. This leaves the way clear for a shy neighbor who has loved her from afar to gain points as a potential mate. Stenberg's design is simple and effective - a strongly-colored portrait of the pensive heroine at a table that provides space for the title and limited credits.

Konstantin Eggert both directed and starred as Count Shemet, cursed by his insane mother’s traumatic experience with a bear to have seizures during which he himself becomes a “bear” on the kill.

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