Xavier Bertrand

Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.

Talk show hosted by Léa Salamé, featuring incisive, funny, and surprising personalities debating current events in culture, society, politics, and the media. The set is designed as an arena where artists, polemicists, intellectuals, politicians, top athletes, and powerful figures come together. Permanent guest Christophe Dechavanne can intervene at any time during the show. Comedian Philippe Caverivière is also present with a segment dedicated to the political week and another devoted to celebrity news and social media.

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A look behind the scenes of this 2022 presidential campaign. Between the secrets and all the information that escaped the general public, the behind-the-scenes campaign of Valérie Pécresse and Emmanuel Macron allow us to understand all the issues of this election and to discover these candidates.

The whole world envies it; it is the symbol of a united France, a source of national pride, almost an idol! The french Social Security system is celebrating its 80th anniversary. But at a time when public accounts are showing a huge deficit and the age pyramid is reversing, its future and its financing are being called into question. How can this jewel be preserved without causing it to lose its lustre? Can the untouchable be touched ? Sacrée Sécu lifts the veil on the history, legends and taboos surrounding a model that is unique in the world.

Misunderstood by the French, Emmanuel Macron’s dissolution of the National Assembly on June 9, 2024, led to an unprecedented political deadlock. This documentary examines whether he miscalculated, why he took such a risk, and whether this signals a deeper institutional crisis in the Fifth Republic.

They are everywhere. At home, in the canteen, in restaurants, processed foods fill our plates. Overcome by obesity, diabetes, heart disease, taste dulled by the easy and artificial flavors of gastronomy, the population no longer has a choice. For fifty years, the agri-food industry has been at our table. And she stuffs herself. Indulgence or complacency with regard to this takeover, the authorities only exercise limited and a posteriori control over this mountain of foodstuffs that are too fatty, too sweet, too salty. Unlike the good recipes of our grandmothers, inspection in the back kitchens of these feeders.

This film is an uncompromising portrait of a woman who no-one could have imagined in a position of power a few years ago . A look at the woman and, through her, at the party that continuously raises concerns and stirs up the media.