Antonio Altoviti

Three tales of very different women using their sexuality as a means to getting what they want.

Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.

In wartime France, Pharmacist Eliane begins a torrid affair with her shop assistant Armand, but she soon becomes dominated by him. He demands more and more from her, humiliating her and putting her family at risk.

Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains documents worth a lot of money. So he begins an adventurous trip to regain possession of the chair. On the way he meets many strange people who would like to help or to swindle him.

A vivid assortment consisted of three acts taken from the lives of modern 1960s Italians, always in orbit around the restless theme of sexual inhibition and the pursuit of pleasure in sex.

Two young sexually free hippies, Dick and Ingrid, finance their travels by selling naked snaps of Ingrid until their plan is brought to an abrupt end by the Police. Forced on the run the two seek refuge at a seemingly empty isolated large villa. As it turns out the house is inhabited by the middle-aged Barbara who invites them in for some potential three-way hanky-panky that soon locks them into something far more twisted and chilling!

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.

An aspiring young artist breaks from his wealthy, possessive mother to live a bohemian existence in the artist's section of Rome and falls in love with a beautiful model who wants an uncommitted relationship.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

Mario is a Milan industrialist who is constantly testing balloons to see how much air one can take before busting.

An American prisoner, hidden by some Umbrian farmers, meets, drunk, with a German soldier who is also drunk. The two believe that the war is over and embrace each other emotionally. But it is not so and soon the cannon will thunder. Uncle Tigna, who was hiding the prisoner and two of his companions, will fall victim to the Nazis.

Italian comedy film in three segments

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

The newly appointed head of a censorship board uses his uncompromising stance against everything "immoral" – from nudity in movies to nightclubs – to hide a rather unseemly double life.

Peppino Bardellotti, a widower, lives in Milan with his four daughters and ex sister-in-law Matilde, who urges girls to settle down by marrying a wealthy man.

Lina, a young woman now tired of the constant betrayals from her husband, decides to cheat on him with a mutual friend, Piero.

Gemma, caught between her desires and reality, struggles to navigate her marriage and personal ambitions.

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