Anna Zêpa

In order to invent a region, it is necessary to create its culture, preferably with the help of cinema. Inspired by the book and play “A Invenção do Nordeste”, this is a re-editing of Brazilian films essential to the foundation of the Northeastern imaginary.

A group of drag queens from a suburb of São Paulo, unveils a day of performance under the curious gaze of a child. What is being a drag queen?

Who was Adelaide Carraro? Why is unraveling me a chore? Did I have more than 5 million books sold? One of the most read in Brazil between the 60s and 70s? Persecuted, accused of sensationalist, pornographic and author of a subliterature? Where are my tracks?

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Heightened physical desire can be both liberating and treacherous, as two women observe each other from their towers.

Letícia discovers she is pregnant but does not know who the father of her child is. There are four possibilities. Despite being insecure and afraid, she gets in touch with the potential parents. Everyone claims that the child can’t be theirs because they didn’t come. She didn’t come either. The solitary pregnancy takes a turn. When the child is born, her restlessness takes shape: she goes on a quest to find out who her child’s father is. The pressure and overload on her reveal a cycle of violence. In an honest and direct way, the documentary is a trigger of unease, exposing the negligence of parental abandonment.

The desire for freedom still resonates in Margarida and the idea of being stuck in a daily routine leaves her suffocated.

Janaina is tired, and that can be scary.

A grieving poet decides to quit smoking and fears losing her connection with her creative process and her father. Based on poems by Ana Martins Marques.