Natalie Berman

Akiva and Shulem Shtisel, father and son, sit on a little balcony overlooking streets of the Geula neighborhood of Jerusalem. A year has passed since the mother died. All the other children have left the nest, and only Shulam and Akiva remain - quarreling, making up, and laughing about themselves and the rest of the world. All will change when Akiva meets Elisheva.

Hagar comes to visit her father who lives in a nursing home in Jerusalem. Unable to deal with his condition she looks at him and turns away, but a series of incidents forces her to spend the day in the building. First a mishap which makes her change her clothes, then an old woman stuck with her wheelchair in the hallway and then the head nurse that thinks Hagar is a Russian caretaker. She gets swallowed up in the work and slowly becomes part of the staff. The short visit turns into a journey between the narrow corridors of society.

An activist couple finds a temporary shelter in a decaying flat at the verge of the city after taking part in an anarchist action. He's obsessively trying to make the place a safe haven while she longs back to the riots. The film was made after the Tel-Aviv riots for social justice and it shows the conflict between the will to fight for change and the need in a more quiet and bourgeois life. The conflict is represented by the two characters and by the tension between the shut interior and the chaotic urban exterior.