Andy Moor

The Dutch band The Ex has been around for more than twenty years. All this time, nothing much has changed. Only their music is constantly developing. From straightforward punk to improvised music - again and again, new ground is broken. The music, the mutual concord and the interaction with the audience reflect an attitude to life based on obstinacy and curiosity, and certainly not on conformity or pleasing large audiences. The Ex organise their own concerts, have their own record label and play with just as much fervour in a hall with three thousand people as in a tiny squat. With this rather un-American style, the band has managed to survive for many years in a music industry that is mainly concerned with sales figures.

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

A documentary film about the independent band UZEDA who brought a disruptive sound from Sicily to almost everywhere.

A documentary on underground and experimental rock acts performing at Les Instants Chavirés, a music venue in Montreuil, France. Performers include Thierry Madiot, Peter Brötzmann + Han Bennink, The Ex + Tom Cora, Roof, Hint + Quentin Rollet, Kampec Dolores, Prolapse, King Biscuit, Zeni Geva, Melt Banana, Purr, Badgewearer, Heliogabale + Didier Petit, Keiji Haino, Oxbow, US Maple, New Bad Things, Tiger Lillies, Marc Ribot, KK Null, Api Uiz, Labradford, Godspeed You Black Emperor, De Kift, Sophie Agnel & Roro Perrot.