Editing
Amin, an aspiring screenwriter living in Paris, returns home for the summer, in Sète, South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday.
Amin returns to Sète after studying in Paris, still dreaming of cinema. By chance, an American producer on vacation takes an interest in his project and wants his wife, Jess, to play the lead role. But fate, whimsical as ever, has its own rules.
A French widower and WWI veteran returns home after the war to raise his newborn daughter.
Summer is coming to an end, Amin and his friends meet Marie, a young parisian student.
In the years between WWI and the rise of Fascism, legendary thespian Eleonora Duse shocks everyone by getting back onstage at over 60 years of age. Struggling with the brutality of historical events unfolding and clinging to the possibility of utopia, she makes her art a revolutionary act, even at the cost of sacrificing health and affection—facing her final journey aware she could give up life itself, but not her own true nature.
No description available.
A schoolteacher reads aloud excerpts from the most poignant scene of violence against women in Ovid's Metamorphoses. As the ancient verses echo through the classroom, her students begin to recognize beneath the poetry - the myths reveal themselves to be an unsettling mirror of contemporary reality.
Lila has just broken up with her cheating boyfriend and is disappointed, frustrated and hurt. Looking for love and intimacy, she engages in a series of short-term relationships, while her friends offer up bad advice and her ex tries to win her back.
The great oak tree of Scandiano, in the Reggio Emilia hills, is the silent witness of a long history, that of a territory shaped by nature and human activity. From the late Renaissance to the present, revolutions and traditions have alternated, leaving an uninterrupted flow of images imprinted in the memory of the centuries-old tree. Shot using a drone in a 15-minute sequence plan, The Great Oak is the result of a courageous technical challenge, but above all a conceptual one: to overturn the anthropocentric point of view of film narration and offer a more articulate perspective on reality, on the invisible links between living beings and on our role in the world.
