Ramzi Zain

The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.

Mars Brito, a trans bike courier, is killed by an SUV. Is he the victim of an accidental 'door prize', or is this murder? His case becomes a city-wide obsession, with hourly true crime updates and rewards for clues. While this murder mystery unfolds, a Toronto trans activist (also named Mars) works with his friends on an operatic memorial, creating arias for each of the 375 trans murders that were committed around the world that year. Door Prize weaves together documentary, drama, and opera scenes into a hybrid film that explores issues of media spectacle, solidarity violence, trans visibility, and anti-trans violence.

Outraged by the latest bombing of Gaza, Palestinian queer activists Hamza and Walid recruit queer novelist Jean Genet to help them sabotage the Eurovision song contest in Jericho. Their method? Secure the collaboration of Buddy and Pedro, Toronto's famous gay penguins... The emergence of queer BDS (boycott, divestment, sanctions) as a dynamic Palestinian-led global movement is brought to vivid life through interviews and actions, opera and agitprop, protests and pranks. Recounting fifteen years of passionate activism in Toronto and worldwide, Photo Booth juxtaposes a surreal operatic narrative with documentary scenes that explore pride and pink-washing, gay soldiers and homo-nationalism, Queers Against Israeli Apartheid, and the accelerating weaponization of anti-Semitism.

Sean Grey is struggling to find happiness after a distressing breakup, all while a sickness and infection on his arm are worsening. As Sean secludes to his room trying to recall the events that lead to this situation, many other students are also falling ill. After an unknown agency's involvement is made clear, tensions rise as fears of a more serious problem emerge. That night many bodies twist and turn into horrible creatures and MacQuaid, who is generally disliked for only caring about himself, is looked upon to lead the remaining students to safety.