Petra Konradi

The two-part documentary “Automania” unfolds the history of the automobile as a relationship between man and machine. The car: drug, technical wonder, object of desire. Like hardly any other machine, the car is more than that. It is loved, cherished and cared for, protected and used for self-expression. At the same time, it is a sign of economic prosperity: whoever drives a (certain) car has made something of himself. And what applies individually also applies to societies: The car creates jobs and prosperity. But the dream relationship that lasted for 100 years has fallen into crisis. The films tell in an entertaining, moody and emotional way about the rise of the car to become an icon of the West and suggest future prospects. The films combine factual informations with nostalgically colourful memories of eyewitnesses. In addition, there are statements by experts as well as politicians and business representatives.

One of the most significant cases in European archaeology is the grave of the shaman woman of Bad Dürrenberg, a key finding of the last hunter-gatherer groups. From a time when there were no written records, this site was first researched by the Nazis, who saw a physically strong male warrior from an ‘original Aryan race’ in the buried person. It was, in fact, the most powerful woman of her time. The latest research shows that she was dark-skinned, had physical deformities, and was a spiritual leader. The documentary – using high-end CGI and motion capture – compares the researchers of the Nazi era, who misrepresented and instrumentalised their findings, to today’s researchers, who meticulously compile findings and evidence, and use cross- disciplinary methods to examine and evaluate them. It also substantiates the theory of the powerful roles women played in prehistoric times. The story of this woman, buried with a baby in her arms, still fascinates us 9,000 years after her death.

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