Vienna Philharmonic

Award-winning actor and nervous explorer Eugene Levy steps out of his comfort zone for a whirlwind tour of the world's most beautiful and intriguing destinations.

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The Vienna Philharmonic's New Year's Concert for 2003.

Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

The story is set at the beginning of the Christian era on a large terrace of Herod’s palace, during the reign of Herod Antipas. At night, on a terrace of the palace, Salome, Herod’s stepdaughter, is gazed at passionately by Narraboth, captain of the guard. Jochanaan, a prophet, is imprisoned in a cistern for having slandered Herod. He proclaims the coming of Jesus, but his message is met with incomprehension by the guards. Salome hears the prophet. She manages to convince the guards to bring Jochanaan out so she can see him. Both fascinated and frightened by his prophecies, Salome falls passionately in love with this man. Richard Strauss’s opera at the 2018 Salzburg Festival, directed by Romeo Castellucci at the Felsenreitschule. In her debut in the title role, Asmik Grigorian distinguished herself with her talents as a singer and actress.

The legendary soprano Elisabeth Schwarzkopf stars in this acclaimed film of Richard Strauss' delightful opera, Der Rosenkavalier. This Salzburg Festival production of Strauss' great work toured the world, and this filmed version was hailed by The New York Times as "Superb." Schwarzkopf performs her signature role as Princess von Werdenberg, an aging beauty involved with a younger man, Octavian. But when Octavian agrees to assist Baron Ochs by delivering the Baron's proposal of marriage to the beautiful young Sophie, the messenger and bride-to-be fall in love with each other!

Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.

A production of Strauss' opera 'Der Rosenkavalier' performed at the Saltzburg Festival in 1984. Includes the Vienna State Opera Choir, the Philharmonic Orchestra with singers Wilma Lipp, Anna Tomowa-Sintow and Agnes Baltsa. Conducted by Herbert Von Karaja

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The Pierre Audi production of Mozart's Die Zauberflöte was recorded live at the 2006 Salzburger Festpiele.

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Begun in 1944/45, finished and released in 1949, this is a biography of the composer Carl Michael Ziehrer, who overcomes hypersensitivity in competitive situations which leads initially to failures in both career and romance.

The Vienna Philharmonic Orchestra welcomes in the New Year as the world watches: 50 million classical music fans tune in to the New Year's Concert from the flower-decorated Golden Hall of the Musikverein.

Live performance of Puccini's opera at the Salzburg Festival in Austria. Piotr Beczala stars as Rodolfo with Anna Netrebko as Mimi, Massimo Cavalletti as Marcello and Nino Machaidze as Musetta. Daniele Gatti conducts the Vienna Philharmonic, the Vienna State Opera Chorus and the Salzburg Festival and Theatre Children's Choir.

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A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.

On Thursday, June 16, 2022, after two years of the coronavirus pandemic, the Vienna Philharmonic was able to welcome back an audience without restrictions to its traditional Summer Night Concert. This year's atmospheric highlight of the summer music season was dedicated to solidarity with Ukraine and to Europe's musical heritage. In the festively illuminated park of Schönbrunn Palace, they delighted a huge audience with popular classical music by Dvořák, Smetana, Rossini, Beethoven, and others. One of the program's highlights was the waltz "Farewell" by Ukrainian composer Mykola Lysenko. Andris Nelsons conducted this year's Summer Night Concert, with Gautier Capuçon as cello soloist.

Premiered in 1926, Leoš Janáček’s absorbing masterpiece Veˇc Makropulos reflects all the dominant musical styles of the early 20th century, from Bohemian tunefulness to big Straussian phrases, Berg-like jaggedness and primeval rhythms. With the “breathtakingly grandiose” (Salzburger Nachrichten) Angela Denoke in the lead role, this emotionallypowerful opera was given superior treatment at the hands of the Wiener Philharmoniker under Esa-Pekka Salonen. Recorded live at the Salzburger Festspiele on 8 & 30 August 2011. Angela Denoke stars as Emilia Marty, with Raymond Very as Albert Gregor, Peter Hoare as Vitek, Jurgita Adamonyté as Krista, and Johan Reuter as Jaroslav Prus. Esa-Pekka Salonen conducts the Wiener Philharmoniker.