Agnes Straub

In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.

Russia, 1917. Revolution is in the air. The Sevastopol anchors In Saint Petersburg. The sailors are thirsty for women and celebration. The ship becomes a dancehall. Bloodbath, pillage and kidnapping follows. A Nazi/Germany propaganda film.

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A scientist, Professor Jakob ten Brinken, interested in the laws of heredity, impregnates a prostitute in a laboratory with the semen of a hanged murderer. The prostitute conceives a female child who has no concept of love, whom the professor adopts. The girl, Alraune, suffers from obsessive sexuality and perverse relationships throughout her life. She learns of her unnatural origins and she avenges herself against the professor.

A pharaonic tragedy to the content that spans six different eras. In the first episode, the emergence and dramatic end of the love story between the pharaoh's daughter Princess Amnertis and her beloved Tirhaka is told until the latter comes to a violent death. From this drama arises a curse, which in the following episodes has had far-reaching effects over the centuries. Everyone who possesses the skull of the long-lost pharaoh's daughter must die violently until the day the skull is sunk in the sea.

A man is found dead on the small German island of Sylt. There is speculation that it may have been a murder, motivated by romantic jealousy. The man who is to be accused of the crime becomes despondent and aimless, abandoning his wife and children.

Considering Germany's own treatment of Poland in 1939, it is ironic in the extreme that the 1938 German film Um Freiheit und Liebe (For Freedom and Love) is a celebration of Poland's declaration of independence from Russia. Werner Hinz plays Konrad, an idealistic Polish student who courts disaster for his loved ones through his constant harrangues against Russian impression. When his mother promises the authorities that Konrad will cease his protests, he is honor bound to obey her, no matter what the provocation. Drowning his disappointment in liquor, Konrad falls in love with nightclub singer Anna Sasotska (Viktoria von Ballasko). While he never achieves his political goals, Konrad at least finds happiness romantically. The climax of the film is particularly exciting, even though it is motivated by anti-Russian (and implicitly pro-Nazi) propaganda.

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Adaptation of Ibsen's play Vildanden.

An exploration of the misery of youth. A student, his friends, and the girl he loves all suffer due to the harsh and unforgiving nature of the adults in their lives.

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A man and his son take an interest in the same girl.

In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.

A traumatized man returning home from war discovers that his wife has slipped into the underclass.