Acting
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When Internal Affairs officer Stéphanie investigates a young man severely injured during a chaotic Paris demonstration and finds no police misconduct, the routine case hits close to home upon her discovering the victim is from her native town.
Lisa, a single woman, decides to take a chance on love again by catapulting her life from Paris to Los Angeles. Her children flew the coop and her famous, yet absent mother just passed, so Lisa needs a big change. She reunites with her best friend Luka, who found success in America but is struggling to find his own prince charming. Luka embarks on a mission to give Lisa a fresh start by creating a profile for her on a dating website.
At the Comédie-Française, there is one golden rule: the play is never canceled. Unfortunately for Nina, everything else is—just three hours before the premiere of her first staging. An actor is stuck on a train, tensions explode, equipment breaks down, egos clash, and panic sets in. With no way out and time slipping away, Nina must hold the show together at all costs. Will she make it until the curtain rises?
Pressured from all sides by the figure of her father, Chiara Mastroianni decides to bring him back to life through her own self. She goes by the name of Marcello, dresses like him and asks to now be considered an actor, not an actress. The people around her believe this to be a temporary joke, but Chiara is determined not to give up her new identity…
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Paris, sumÂmer 2020. Actors from “la ComĂ©die-Française”, France’s most presÂtiÂgious theÂater, rehearse Christophe HonÂoré’s new play, an adapÂtaÂtion of MarÂcel Proust’s “The GuerÂmantes Way”. When the show is sudÂdenÂly canÂceled, the draÂma group decides to go ahead with it anyÂway, in the name of art and for the joy of actÂing together.
Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.
Bristle is a little girl raised by dragons, but when her father, Dragon, has to pay the Sorcerog using his second most valuable asset, he offers her Bristle – throwing her into an infinite sadness and forcing her to flee the family cave. Bristle then embarks on a journey to discover the world of men.
Okay, Marie is a little tired of the insouciance of her husband Sam, framework sup unemployed for 2 years. Agree, it is very tempted to be seduced by this beautiful stranger who made him the Court. Okay, there is also the daughter piano competition... If this balance light and crazy about standing, an unexpected event throws the family on an even crazier way.
Muriel Bayen, a divorced beautician and mother of two, loves to tell stories. She is a huge fan of this singer Vincent Lacroix, in fact she is a dedicated fan. One day Vincent knock on her door and ask for her help.
Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.
A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.
Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.
Anne Cestac accepts the obvious: her husband Julien, in his forties, has fallen madly in love with another woman. Annoyed, Anne sets out to find potential lovers.