Károly Huszár

Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette -- whose job is to entice men -- proves to be more difficult than Rath imagined.

When a proud noble refuses to kiss the hand of the despotic King James in 1690, he is cruelly executed and his son surgically disfigured.

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

There is hunger in Siberia during the Russian Civil War. One day while dim-witted peasant Sergei is searching corpses for food, he meets a young woman looking for the town of Novokursk. She asks Sergei to help her get there, and to tell anyone they might meet that he is her husband.

A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.

A girl from a boarding school finds a baby and has to keep it because she seems to be the real mother to everyone.

In Old Vienna in the days prior to The Great War, a beautiful woman, Hannerl, has her choice of two men; the first is a dashing young army officer who can provide blazing romance and little long-time security. The other is an older man, influential in the affairs of Austria, who could provide wealth...and tender devotion. Hannerl thinks about it.

This is a real curiosity; at best a reasonable film, but also a charming little gem. There is a story (in the line of "A Star is Born"), but this merely serves as an excuse, as it is more importantly a kind of moving encyclopedia of about 35 stars making their debut in a talkie (although some of them had already made one talkie), of the technical sound possibilities and of film making. Besides all that, it is entertaining and sometimes hilarious and it has fine one-liners that split my side. The film is also remarkable for making mock of typical German film genres (like the overly sweet romances involving the military), of too heavy acting and of film making in general. I have to mention this one: a short, hysterically funny parody of "Der blaue Engel". What this film in fact says is: do not take any film too seriously. (J. Steed)

Imprisoned at the French garrison on the Isle of St. Noir for putting to death a patient suffering from an incurable illness, Dr. Paul La Roche escapes to the mainland, where he meets Dr. Henry Fontaine, his boyhood friend, and Fontaine's beautiful sister, Yvonne. As Fontaine is going blind, La Roche performs several operations for him, attracting the attention of Dr. Renaud, in Algiers, who offers him a position. La Roche, practicing as Fontaine, reveals his love for Yvonne during an excursion to a Bedouin camp. Then, Lieutenant Destin, from the prison, arrives and threatens La Roche with exposure unless he surrenders the hand of Yvonne.

By pure chance, Jessie and his four jazz musicians are hired to play at the cabaret theatre “Trocadero”. Unfortunately, she knows nothing about music and it doesn’t help that all four musicians are in love with her. Jessie doesn’t reciprocate their feelings, because she has a thing for Martin. Unfortunately, Martin believes that Jessie stole his car … and so, right before the premiere at the cabaret, she ends up in jail.

Setting the standard for his later light-hearted biopics The Private Life of Henry VIII and Rembrandt, producer-director Alexander Korda steadfastly refuses to take any of The Private Life of Helen of Troy seriously. Maria Corda, wife of the director, plays the title character as a fetchingly underdressed coquette, oblivious to all the political turmoil she's causing when she allows the handsome Paris (Ricardo Cortez) to kidnap her. Meanwhile, poor King Menelaus (Lewis Stone), Helen's husband, stands by in stoic silence, just as he's done on previous occasions when his wife succumbed to the charms of various sexy suitors (one of whom is played by future cowboy star "Wild Bill" Elliot). Finally galvanized into action, Menelaus reclaims his bride, who seems none the worse for wear for her experiences.

Archduke Alexander (Clive Brook) is better known for his sexual conquests than his diplomatic triumphs. After a lifetime of loving 'em and leaving 'em, the Archduke finally meets a girl he can't leave, Hungarian lass Judith Peredy (Billie Dove). She resists his advances but can't hide the fact that she's in love with him. The Yellow Lily was the second of four cinematic collaborations between star Billie Dove and director Alexander Korda.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who resembles him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

Don’t expect much in the way of a plot from Kick Me Again. When a married student falls for her portly dance instructor, Puffy is forced to flee in a ballet tutu from the clutches of her jealous husband. The usual slapstick complications ensue before the cross-dressing funnyman finally locates a new suit of clothes. The viewing pleasure comes not from the run-of-the-mill gags and storyline but from seeing a master wring every ounce of comedy from his ungainly outfit. Preserved by the Academy Film Archive, in partnership with Universal Pictures, in 2013.

To avert war between their countries an official marriage is arranged between Crown Prince Boris of Moraine and Princess Flavia of Norvia. Prince Karl of Norvia sees in the alliance an opportunity to gain control of both kingdoms but upon visiting Boris finds him unyielding and independent. Flavia, shedding her stately dignity in the palace garden, is accosted by the flirtatious Boris, who believes her to be the princess' cousin; and falling in love, he realizes that he cannot go through with the planned marriage.

Out of the three-part burlesque, the only surviving one is the one called Pufi would buy a pair of shoes, with Hungarian inserts. The film is shot on a real-life location, in a Budapest shoe shop, and it portrays the mutual efforts of a puny sales assistant and Pufi, the bladder-of-lard customer, to find him a suitable pair of shoes. The content of the other two parts is not known.

Laurence Gerard has just divorced. While leading fat lover Talandier by the nose, She meets the count Lerski, who now works as waiter but do not tell her. When she hears from her husband he is a waiter, she thinks Lerksi lies and throws him out.

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