Sashko Protyah

Mockumentary on the post-industrial future of Mariupol. The authors imagine what the city would be like with the developed culture of the Azov Greeks, the ethnic population of the Donetsk and Zaporizhzhia regions. The plot develops in 2068 in Mariupol, where a musician from Rotterdam arrives. They participates in an art residency organized by a local institution such as the Center for Industrial Heritage (CIS).

Ajahi is the poorest district of Mariupol. An ideal place for meditations on poverty; a place where you won't see anything that is supposed to be shown; place, to share the void with a friend.

Far right radicalism cannot be innate, it is always a result of socio-economic frustrations. We asked our friends to try on the uniform of the National Corps and think about the far right political identity from inside.

The film consists of 14 fragments, which focus on intersections of dramatic events in the history of Ukraine in 2014-2016, and specifically in the history of the city of Mariupol, and personal experiences of the filmmaker. The beginning. Water. Music. Jokes. Monuments. Events. Buenos Aires. A tree. Talking to God. Film. A trap for nearly everyone. Walls of Joy. All I think is fire. The end.

Ihor works from home in a taxi answering service. He seems to be imprisoned in his room in a depressing apartment block opposite the pompous Orthodox cathedral. To escape the hopelessness, Ihor tries to interpret his precarious daily life as creatively as possible. Growing sunflowers on his balcony and creating rotoscoping animation on an out-of-date black&white printer become important rituals of resistance.

A music film about Taras Fedirko, William Nought, heart, feet, skirt, and bagels. Impro vs impro, superimpo vs superimpo, oh-my-god vs aliens' idioms, sound propagating happiness vs a soldering iron in a demagog's arse.

An auto-fictional essay about a gay community that makes use of a communication network consisting of amateur radio and grassroot hook-up apps. While the air is constantly interrupted by homophobic messages made of the intercepted military ciphers used by the Russian army, networks of love, empathy, and support become ever stronger. Produced as a close observation of everyday media practices and the social life of love relations, “The Film of Sand“ takes a close look at the interrelations of war and intimacy, threat and empathy, fiction and documentation.

The film is based on Riasni Drova’s interpretation of John Jacob Niles’ Child Ballad #95.

The film researches problems and possibilities of building a cultural dialogue in Eastern Ukrainian cities. The film crew analyzes the multicultural history of the region, difficulties in cultural self-realization and attempts to make the dialogue more efficient. The film doesn't give the exact answers, but tries to create space for unbiased discussion about the culture of the East of Ukraine.

Life of Mariupol vandals in 29 arborglyphs (graffiti on the bark of the trees).

An abandoned house on the seacoast near Mariupol, an overcast sky and a camera shared by three friends.

The film is edited, the audio description of the forgotten sound of the film is recorded. Half a year (I thought to myself that it should be) I check potential festivals. Is this a movie about the love of mountains or not? Is it virtual reality about the feeling of freedom or not? Is this a film about cross-border friendship of Central European peoples or not? Is this a movie-musical about finding yourself or not? Is this a film about the problems of the lgbt community in the Carpathian region named after Andy Warhol, or not? Is this a film that promotes silent film values ​​or not? Is this a short experimental debut film of a young director about challenging stereotypes or not? Is it an innovative film that does not fit into the box and will be shown at six festivals and fairs in the most beautiful places of the wine tourism region or not? After an extremely successful development, pre-production, production, post-production and festival history, the film is posted online.

Three stories of interconnection and internegation between creativity and work in modern Ukraine.

Residents of Mariupol talk about looting in shops during the siege and capture of the city by russian troops in March 2022.

The second film, "Artels of Fintiktikova's Followers," 2006-2009.

birth and decline of a cult

In the spring of 2022, the Ukrainian city of Mariupol was surrounded by Russian troops. They were using the weapons of mass destruction against the civilian population every day. In mid-March volunteers started evacuating people from Mariupol to Zaporizhzhia. They gathered after each trip to exchange the information, support each other, and talk about their traumatic experiences.

Life of the vandal Danil in 26 arborglyphs (graffiti on the bark of trees).

A documentary musical which tells the story of war and pacifism through songs and melodies recorded in Mariupol from the end of 20th century to the beginning of 2022, when the city was erased and captured by Russia.

Road movie on the road. Sashko Protyah and Diana Berg are going to explore the Kherson region, trying to find a new understanding travels, creativity, experience.