Lupu Pick

The mastermind behind a ubiquitous spy operation learns of a dangerous romance between a Russian lady in his employ and a dashing agent from the government's secret service.

This movie, directed by Richard Oswald, is based on the operetta "Les contes de Hoffmann" by Jacques Offenbach (1819-1880), which is a genial musical potpourri from various short stories and novels by the Prussian writer, composer, painter, lawyer and judge E.T.A. Hoffmann (1776-1822). While Hoffmann's literary work was longtime considered to be merely fantastical, it was finally researched, in the last years, according to its metaphysical background. Characteristic for Hoffmann's work is his life-long fight against rationalism and for the revelation of nature morte, culminating mostly in carnival-like scenes anticipating literary techniques only described in the works of Bachtin and Bachelard.

An overly trusting young man inherits the fortune of his great uncle and his scheming relatives plot to get their hands on the money.

An extremely jealous artist slips into a monkey costume and kills all those men who come too close to his wife, another artist.

Adaptation of Ibsen's play Vildanden.

No description available.

A feature-length jewish joke: The heavily indebted Sami Bambus fakes his death, so that his debts are taken over by the greedy heirs, led by the scrounger Prellstein. The putative heir also brings speculators to the scene, and the general confusion can ultimately only be reconciled by the summoned uncle Salomon and by Samis' return from the dead.

The director and co-writer Lupu Pick plays musician Erik Paulsson, who loses his beloved son after a peaceful yet critical poetry reading is raided by the tsarist forces. Paulsson, beside himself with grief, kills the officer responsible and is sentenced to life, which will mean 18 years in prison before he is free again. While he is inside, by a strange quirk of fate, his daughter Karin falls in love with writer Sebald Brückner, the son of the state prosecutor, who indicted Paulsson and is a staunch advocate of the death penalty. The conflict between the fathers does not impair the relationship of the young couple. However, when Sebald’s long-desired success on the stage is threatened by a vengeful theatre director who had sexually harassed Karin, he is enraged and kills the other man in a fight. The prosecutor now must face the blow of losing his own son to the death penalty.

A painter with syphilis infects his brother's wife and the child born of their affair.

Napoleon at Saint Helena (German: Napoleon auf Sankt Helena) is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph and Albert Bassermann. The film depicts the final years of Napoleon between 1815 and 1821 during his period of exile on the British Atlantic island of Saint Helena following his defeat at Waterloo.

The everyday lives of a poverty-stricken railway trackman, his wife and daughter in a remote, isolated house in a winter landscape. One day, they receive a telegram announcing the arrival of the section inspector, who is to live with the family. After his arrival, a downward spiral begins.

All is not well in the Mollheim home. The elder Mollheim decides to marry off his daughter with an unusually large dowry, in exchange for a rare Chinese idol. The daughter of the house, being opposed to the idea, decides to hire a private detective to get to the bottom of it. The detective doesn't get far before the idol is stolen and its owner is murdered.

Directed by Lupu Pick, who died far too young, it was billed as a melodrama about a ring of counterfeiters on its first screening in New York City. Pick plays with the already well-established conventions of the detective genre for maximum effect and humor.

A working-class couple living on a river barge sees their fragile stability shattered when a seductive outsider enters their closed world. Jealousy, desire, and social pressure slowly build, leading to betrayal and an inescapable tragic outcome as the city comes into view.

Operette-like oriental fantasy about a forbidden love between en english boy and a chinese girl.

No description available.

No description available.

A taxi driver in Berlin refuses to give up his horse and switch to motor transport.

Four classmates decide to perform a love song that their friend, Pierre, composed for Marie. Novac, another admirer of Marie, is murdered. Pierre suspects one of the four of being the killer, but incriminates himself, believing that Marie was in love with the killer.

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.