Directing
The documentary "Les Enfants terribles du cinéma" (The Terrible Children of Cinema) tells the little-known story of one of the crossroads of cinephilia, *OBJECTIF 49*, which culminated in the organization of the Biarritz Festival of Cursed Films during the summer of 1949. This festival was initiated by Jean Cocteau, then at the height of his cinematic career. In Biarritz, films deemed "cursed" were screened because they had not yet found an audience or had been banned by censors. This selection offered a radically different vision of cinema from that of other festivals, such as Cannes. An entire generation of active filmmakers was celebrated: René Clément, Robert Bresson, Jacques Doniol-Valcroze, Eric Rohmer...
Marcos Andrade likes parties and having an easy life. He works for a powerful businessman, accused of wrongdoing. When Marcos meets Natalia, his life changes and he begins to settle down. His boss hires thugs to get rid of him after he discovers his secrets. This will provoke the wrath of Marcos who will seek to do justice by his own hand. Hiding his face behind a mask and sheltering himself in the darkness of the night, Marcos enters the world of the businessman and begins a hunt that will bring him face to face with his enemy.
Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.
Documentary about the personal story of Valentín Enseñat and the search for his father, Miguel Ángel Río Casas, who disappeared in 1977 during Uruguay's civil-military dictatorship (1973-1985). Río Casas was in the clandestine detention center known as “Pozo de Quilmes”, run by the Argentine dictatorship (1976-1983).
The imminent closure of a small cinema in the Constitución neighborhood of Buenos Aires, Argentina, will be the propitious element to reflect on the mystique of the cinemas of yesteryear and on the figure of the film projectionist. A personal homage to the liturgy of cinema, its ghosts and its dreams.
