Magnum Borini

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

Tropical SOV is a Brazilian anthology that brings together 23 independent filmmakers who bring to life 21 hilarious, strange and bizarre stories that could only happen in Brazil. From brains that produce cocaine to the incredible human videocassette, including the secrets of synthetic meat, baldness cures, castration of rapists, nihilistic fruits, magical sweets and the poop king of Evangelistão.

Mr. Baiestorf is back in the land of magic, and now he has arranged to film a documentary with us about the wonders of the city... but he hasn't shown up yet...

Veteran Spanish actor Antonio Mayans is kidnapped by a director with whom he made a terrible film in the past, and whose career was destroyed by the failure of it. He seeks revenge and wants Mayans to act on his new project: a snuff movie.

Marcus is not having a good day. He never seems to have a good day. He has to smash in his rear window just to get out of his Volkswagen Beetle, having parked it too close between two other cars. He has to do all the dirty work in the office, while his spoiled rich kid colleague cooks the books for profit and shamelessly flirts with all his female co-workers. He’s attracted to his next-door neighbor who gets beaten and cheated upon by her boyfriend, but she doesn’t want to leave him. And he gets robbed at knife-point right outside his apartment building. Marcus manages to take the knife and chase away his attacker, but not before he gets stabbed in the shoulder. The incident awakens something dark in Marcus. He becomes a man with a mission, determined to set right all the injustice done to him. But ones the blood starts flowing, there’s no going back.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

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One summer morning, Mr Baiestorf forgets how to put on flip-flops, takes a deep breath, opens a beer and goes to the beach to spend a day full of love and great emotions.

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A mysterious photographer wanders through the São Paulo nightlife, in search for another subject for her work. An unusual encounter will lead to a mix of feelings and sensations.

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Once again, 23 Brazilian filmmakers come together for the second Tropical SOV anthology, now exploring sci-fi in humorous stories involving aliens and their space invasions, mad scientists, time travel, dystopias, and a myriad of end-of-the-world scenarios.

Mário Sbardelotto is a middle-aged man who lives alone with a collection of bottles. Each of them, he guarantees, contains a different saci. When the oldest of them falls and breaks, Mário is sure that the little devil is loose in the house and will do everything to capture him again – including asking Negrinho do Pastoreio for help.

Tiny film made for the "1-minute Film Festival". When the death comes, it is time to kiss her.

Carlos finds himself troubled by a powerful restlessness. At the same time his analyst is obsessed with the idea that he should delete Carlos in order to save his island. An island is, by excellence, a troubled territory. Piece of land separated off the mainland or territory emerging and arising from the center of the world shocks : re- integrate into the sea is the ghost that haunts all the islands. There is in this tense relationship between sea and island, an opposition between civilization and destruction, shape and inform, culture and chaos united in a loving and eschatological tribute to Carlos Reichenbach, Lucio Fulci and Andrzej Zulawski.

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