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A young couple is pushed to the limits of sanity as they attempt to be reunited amid the chaos of a pandemic outbreak. The streets erupt into violence and depravity, as those infected are driven to enact the most cruel and ghastly things imaginable.

Do you often feel inexplicably disturbed in this cold, unconcerned city? Those things we are used to but not specifically noticed are not caused by supernatural or spiritual phenomena, but the daily, under-the-surface crises sparked by the fear, ignorance and indifference around us. This is a series without ghosts, monsters, supernatural or sci-fi components. Every story in Urban Horror is happening around us...

When Red’s boyfriend breaks up with her on her 30th birthday and throws himself at her new boss, she quits her job and signs up for a new Instagram account to start ranting about her shameless ex. Her life takes a dramatic turn when her posts go viral.

When their parents marry, two high school students become stepbrothers and navigate their relationship, turning from enemies into something more special.

Inside a women's prison, four inmates form an unlikely bond with a newborn baby girl and create a choir to give her one final beautiful memory after she is diagnosed with an eye disease.

Hu Guan-yu is passionate about table tennis. He trains with his best friend Huang Xuan, hoping to make the Olympic national team. When a new coach arrives, the team's atmosphere shifts, and they gradually drift apart. A year later, Guan-yu wins the junior national team qualifier. His opponent in the final: Huang Xuan.

Three students from Jing Mu Girls’ Middle School go missing and turn up dead. Xiao Tong, a special education student with speech impairment, feels like someone is watching her. During the rehearsal for the school’s foundation day event, a corpse falls from the ceiling of the auditorium, and Xiao Tong disappears in the midst of confusion. Her mother, Li Han, who has been working at the school to be close to Xiao Tong, begins her pursuit.

In school, Wang Hsiao-hsia and her childhood friend Yuzu are seen as a couple, but Hsiao-hsia secretly longs for the transfer student Cheng Yih. Cheng Yih, admired for his exceptional grades, talent, and fighting skills, captivates her heart. Despite her poor academic performance, Hsiao-hsia tries various methods to win his affection, but nothing works. Unbeknownst to her, Cheng Yih harbors feelings for Hsiao-hsia as well. Meanwhile, Yuzu, fiercely protective of Hsiao-hsia, is wary of anyone trying to get close to her. As summer arrives, a fragrant first love begins to bloom among the three of them, reminiscent of lemongrass.

Androgynous Phoenix Du, the illicit daughter of a presidential candidate, kills the thug who breaks into her apartment to silence her. She comes before prosecutor Jade Liu, guilt-ridden from the suicide of her brother and her strict Catholic upbringing. Before demanding Phoenix’s three-and-a-half years sentence for manslaughter, Jade has a night of passion with her that redirects both their lives. Phoenix writes her hundreds of letters and begs her to wait for her release. In fear of her own desire, Jade marries Meng Ye, the genderless young man she saved from prison who reminds her of her brother…

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As they are going to visit their former teacher, Micky, who is seriously ill, three men who were buddies back in their high school years are reunited. Moreover, they go back to the old cram school, reminiscing about their rebellious youth. In the 1990s, that cram school was known for its strict rules and the trio, who loved making trouble, had given the director a big headache until Micky arrived as a new teacher. He not only tamed the boys but became a good friend to them. Micky often talked about romantic relationships and sexuality to the students and made documentaries to speak up for the gay community. It is because of him that the students got to understand the homosexual or even themselves.

It is often said that those who make films are madmen, and those who watch them are fools. A group of individuals strives for the next box office hit, as the director creates a memorable allegory in a tense yet humorous atmosphere.

A middle-aged loser son is stuck caring for his disabled dad, his life going nowhere—until an accidental soul swap forces them to trade places. Amid hilarious mishaps and absurd daily struggles, father and son come face-to-face with each other’s hidden hardships, discovering the quiet sacrifices and unspoken love that have bound them together all along.

Since his wife Mei-yun was left comatose after nearly drowning, CHEN You-ming has been raising his three sons alone in their seaside village. And since the mechanical digger he drives broke down, Chen has had more time on his hands than he likes. His life is suddenly disrupted by the appearance of a disturbed young woman who calls herself XIE Hui-zhen (“Zhen” for short) and says that Chen is her father. To uncover the facts behind Zhen’s wild claim, CHEN has to contact his old girlfriend KE Li-jia, last seen twenty years ago. Before the truth about Zhen’s inner turmoil emerges, CHEN has to deal with the death of his wife in hospital and the stresses in his relationships with his sons Wei, Ting and Liang.

In a small village devastated by a past storm, an elderly woman named Tae lives alone selling grilled dumplings. Her life follows a quiet, repetitive routine, as if time itself has come to a standstill. One night, Tae discovers a strange creature in the mountains and brings it home, naming it Haru. Haru eats only the dumplings Tae makes by hand. Awkward yet gentle, Haru’s presence gives Tae a renewed sense of purpose. However, the village cannot accept what it does not understand. Rumors of a monster called “UWAN” spread, and fear takes hold. Haru is branded a harbinger of disaster, while Tae is deemed mentally unstable and forcibly hospitalized. Caught between rigid institutions and superstition, Tae struggles to protect Haru. Finally, she stages a grand fake funeral, allowing Haru to escape the village’s fear. As another storm approaches, Tae realizes that love is not about possession, but about letting go.

A comic book writer is invited by a film production company to adapt her short comic collection about casual relationships. As she navigates the changing streaming market and the company’s demands, she must devise various adaptation concepts for a movie, half-hour, or hour-long series. Her research takes her to hotels, and under pressure, she meets someone who inspires personal transformation.

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