Yasmin van Dorp

The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?

A multi-narrative drama set in a typical southern Dutch village that prepares for the holidays. It turns out the compulsory conviviality can’t drown out the everyday problems of some of the inhabitants: troubles at the town council, the silent struggle of a lonely grandmother, and a bullied teenager.

“When I told my mother a boy was hitting me on the playground, she said: ‘That’s because he likes you.’” So begins this exposé about femicide, with the sentence appearing in black letters on a bright red background. The film shows three women who survived abusive relationships—by becoming murderers themselves. Laura from Finland, Rachel from the Netherlands and Rosalba from Italy explain how and, more importantly, why they killed their partners. One speaks eloquently, another haltingly, but all three are candid.

During an intense emotional crisis towards the end of his life, Vincent van Gogh spent one year in Saint-Rémy-de-Provence, a mental institution that exists to this day. The female patients who stay there now mostly spend their days painting, like Van Gogh used to. Here, Van Gogh painted many of his famous works and wrote numerous letters. In this exploratory documentary, the present-day patients write a letter back to him. Where and in what ways do they find comfort?

In His Image focuses on reproduction after death in Israel, where posthumously harvesting sperm is legal. The film follows the bereaved parents of three sons who died during military service. Using semen collected just before, or shortly after, their sons' death, they hope to have them live on in a posthumous grandchild. But can new life cure their grief?