Sabīne Tīkmane

A Latvian series shot by the team at Jaunais Rīgas Teātris / New Riga Theatre over the course of summer 2020 during the Covid-19 pandemic. It's a story about a world that once again changes rapidly. About the belief that everything on this planet is subject to manipulation. The series centers around an advertising agency - a classic office where professionalism mixes with boredom, romance and an existential tiredness.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

Based on the popular book by Andris Kalnozols, this is the story of Oskars, who lives in a provincial town with his mother, loves an idealised dream girl, and is gifted with an exceptional memory and imagination. On his way to independence, he gathers a motley crew of companions and has all kinds of adventures.

A coming of age story about a group of millennials who start to face their self-destructive tendencies as they each head straight into their crisis of thirtysomethings.

From the perspective of a forgotten mobile phone, we follow a girl and other nightclub patrons as their night comes alive.

Three relationships deconstructed. The Red Couple choose to pretend to be harmonious for the last three days of living together. The Green Couple's three days are full of uncertainty and nervousness, waiting for the other to reveal themselves intimately. The Yellow Couple, two colleagues, will lose themselves in the workplace romance genre trying not to fall in love.

Suddenly, Peter, sitting in his tractor, wins a radio competition for a potato variety. He turns his back on his wife and rides the tractor into town to collect his prize. Peter's journey becomes more important than the original destination - it resolves his relationship with his wife.