Tamara Ajzensztat

A famous TV weatherman, Miguel Flores, becomes public enemy number one when he fails to predict a terrible hailstorm. He is forced out of the big city, Buenos Aires, fleeing the capital for his birthplace of Córdoba. The result will be a voyage of rediscovery that is as absurd as it is human.

In a town in the Northwest of the province of Buenos Aires, a group of neighbors is organized to recover the economy of the area, but when the corralito is implemented in the country and they suffer a fraud, their hopes disappear. Now, they will unite to recover the lost money and give the blow of their lives to their greatest enemy.

German Oesterheld who wrote The Eternauta goes to apply a new job in the most prolific argentine publisher on those days. The comics of this publisher are simple and plain in style with a constant particular feature; the bad boys are always the indians, the cubans or the aliens. When German arrives a revolution between publishers writers and comic driver is begun because they feel attracted am jealous for the teachers arrival. The military dictatorship government rules the streets and everywhere even in the publisher building the things and relationships begun to change and German has to be hidden to be able to let know his toughts.

Dignified, strong and formidable, and oozing erotic attraction: young malambo dancer Gaspar is at one with his passion for dance that he has made his profession.

A young man with charisma and magnetism enters the atmosphere of tropical music as a romantic singer and undertakes a vertiginous ascent to fame.

An analysis of the logics of modern schooling and the way of understanding education, while showing different, non-conventional educational experiences that raise the need for a new educational paradigm.

A retired boxer is willing to do anything to return to the ring and conquer the woman who never wanted to reciprocate him.

Renowned actress Norma Reyes rehearses a mediocre commercial play while her daughter Celeste decides to move out. Despite the stress of the premiere and the pain caused by her daughter's absence, Norma carries on.

Discover the heartbeat of the other and, along the way, find your own.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.

In a remote corner the day comes when López must settle debts with a relentless debt collector. After several failed attempts to comply and when all hope seems lost, an unexpected and tempting proposal arises...

Julia is about to finish school and struggles to stay afloat in a sea of ​​expectations and confusion.

In the last decade, Argentina has become a country of origin, transit and destination for human trafficking. There are the pimps and corrupt state officials who make human trafficking a great business. On the other side, there are the victims. But going through all this framework are the clients, always safe from any condemnation. The gaze of Whole Woman rests on them, the men.