Diana El Jeiroudi

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Shot over three years on the borders between Iraq, Kurdistan, Syria and Lebanon, the film depicts the everyday struggles of people attempting to rebuild their lives amongst the devastating effects of civil wars, dictatorships, foreign invasions, and the deadly presence of ISIS.

Filmed over 3 years in Homs, accompanying 2 outstanding young men from the time they were only dreaming of freedom to the time when they are forced to change course. Basset, the 19yo national football team goalkeeper, who became an outspoken demonstration leader in the city, then an icon revolution singer, till he becomes a fighter... a militia leader. Ossama, his 24yo friend, renowned citizen journalist, cynical pacifist... as his views are forced to change, until he is detained by army secret service. It is the story of a city, of which the world have heard a lot, but never really got closer than news, never really had the chance to experience how a war erupted. a modern times epic of youth in war time.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Lina’s plan was simple. She wanted to become a camerawoman. She liked filming details of life and people around her, mainly during a bright sunny day in Damascus. But with the uprising in Syria, Lina was slowly absorbed into documenting the impact on people’s lives. It didn’t take long before events escalated, and arrests, torture, and potentially life-threatening situations became a reality for Lina to negotiate on a daily basis. She had to adapt. She invented personas and aliases. They each helped her navigate life under a new norm. What was a simple plan, turned into a complex web of identities, which seemed then a small price in exchange for her liberty to continue to hold the camera.

They grew up in the land of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. They grew up in Syria.

Sara grew up in Yemen to a Yemeni father and a Scottish mother, and at age 17, finally decided to move to Scotland. Ten years later – 2011 – Sara returns to Yemen as a different person, geared up to face the home of her past and reconnect with her long-severed roots. But against all personal expectations, she returns to find her family and country teetering on the brink of a revolution.

Australian documentary follows eight female survivors of childhood sexual abuse who participate in a 2-year experimental recovery program that combines the physicality of boxing with the emotional power of expressive writing.

A young Syrian woman doesn't share her parents' beliefs, but she's still been locked up inside their belief system all her life. Because she is a young woman, her parents almost never allow her to leave the house, let alone participate in activities against the Syrian regime. But she rebels anyway. She writes and sings protest songs in secret, in the hope that they will encourage others to start thinking for themselves, and to believe in a better tomorrow with more freedom. For 37 minutes, we watch and hear about what motivates this young woman. Neither she nor the people around her ever appear identifiable on-screen. Even the voices are manipulated to keep the chance of recognition to a minimum.

Syria is a vibrant melting pot of nationalities, religions and minorities, living together as one. The nation's multiplicity imbues its population with a dynamic spirit. Yet Syria remains a patriarchal society, meaning that the daily lives of Syrian citizens are defined and dominated by men. Lina Alabad's beautiful film asks the question: What, then, is the role of women in Syria? How extensive is their access to freedom and autonomy? And what effect do the limitations imposed upon them by society have on their attitudes towards sexuality and their own bodies.

Pregnancy is the center of middle-eastern Muslim woman's life. Marrying, getting pregnant & raising kids are her reason for being; what would a dream be then? The film is an exploration of 4 ambitious women choices of work and\or family. It is a search of their hidden faces & of the factors effecting their choices & drives. It is a brief approach to the life and choices of four middle-eastern young women trying to find their individuality within their social, religious & political surroundings. A view of their discourses, whether they were trying to justify their compromises & surrender, or trying to break-out in what seems to be an absurd quest.

Silence is an emotional investigation of sense and senselessness in the conflict over the occupied Golan Heights and the events leading to its loss.

Exploring the daily life of a Damascene ambitious woman, while the Muslim Barbie, Fulla, is invading the daily life of everyone!