Farida Jiraphan

Worried about her husband being allergic to dust, Nat, a recently-dead woman, returns as a ghost possessing a vacuum cleaner to clean the house and protect her family from other vengeful ghosts in the house. To become a useful ghost, she needs to get rid of the useless ones.

Yajai, nicknamed Yajai Hat Thewada (Hands of a Goddess), is a masseuse sought-after by many spa resorts. However, she decides to flee from it all and live a private life. To hide from the fame, she gets a flat where she's suspected of making a dishonest living and where she hides from Grandma Noi, her only relative who's made it her mission to pair Yajai up with Kriangkrai. It's her hope that there will be someone to inherit her Hat Thewada massage technique. Amidst all the suspicion and chaos, there's only one place where she can rest her mind: the salon of Chatchai, a friend from high school. However, her presence is met with resistance from Chatchai's daughter Chomphu.

In a classic case of past mistakes impressing themselves on the present, albeit with surprising role reversals, a pair of sadistic murders bring together cop Tien, profiler Kuen, spoiled playboy Key and domestic violence survivor Kwang, entangling the four a puzzle of murder and history.

Hoping to build a clothing brand to save her family's dye factory, a young outcast must learn to navigate college life, friendship and her ambition.

In 2013, the director was hired to produce a short film on the causes and treatment of osteoarthritis among the elderly, yet the award-winning film was soon embroiled in an unexpected copyright controversy with the commissioning organisation. This self-reflexive documentary questions not only the notions of artistic reproduction and intellectual property rights in the digital age, but also the 'ownership' of democracy in Thailand.