Onur Sekmen

Second series of the WOLF franchise starts 25 years after the first outing. As alliances wear thin, and notions of global order are shattered, the world of 2039 is on the brink of total war. Dangerous technologies that exceed the grasp of humanity’s control threaten a frayed social fabric. The action-packed story will examine security and war in this near future world.

Picking up from the explosive cliffhanger of the sixth episode of the miniseries, the film follows the harrowing coup attempt night of July 15th, and the Police Special Operations and Special Forces heroes who put everything on the line to prevent a cultist takeover of Turkey.

Adem and Elif are a couple in their late thirties who separated months ago but are not yet divorced. Their relationship comesto a halt as Elif is extremely tired of trying to prove her love, and Adem loses his belief in Elif’s loyalty and constantly blames her for betrayal. Months later, one night, Adem knocks on Elif’s door...

Aspiring actress Gülşah is preparing for the auditions of an acting school. She also volunteers for a theatre and one day she is sexually assaulted by famous actor Levent, who is also a jury member for the audition she is preparing. Daily reality and the reality of the theatre world flow into each other and Gülşah has to fight against several patriarchs in order to fulfill her dreams.

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In an experimental deconstruction of filmic history, a fictional ‘china girl’ confronts the medium and industry that produced her orientalist name. Contrary to the term’s racial connotations, these anonymous models, used for the calibration of exposure and colour in film since the 1920s, were largely white. Drawing from this phenomena, ‘China Girl’ transforms one of cinema’s most invisible yet essential figures through a speculative manifesto on race, visibility, and narrative.

A little boy goes on a journey to grow up.