Giulia Cosentino

In 1917, two young music students attending the Boston Conservatory bond over a mutual love of folk music. They reconnect a few years later, embarking on a song-collecting trip in the backwaters of Maine.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

In 1917 Burma (now Myanmar), a British diplomat is set to marry his fiancée, but after a sudden panic, escapes to Singapore, sending her on what evolves into a chase across Asia.

Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.

The world out there is halted by a pandemic, and during lockdown, an apartment in Rome becomes the same as one in Milan, Naples, Paris, and New York. Each one lives a story identical to all the others, yet unique and personal. Four young people under thirty have been sharing an apartment for some time and, stopped by the infection, find themselves facing shadows bigger than living there. The opportunity to make some easy money at the expense of their shady landlord will lead to a crescendo of tension and delirium. The young people's choices and actions will become increasingly ambiguous as the consequences upend their dreams and hopes, fears and loves, until the unexpected ending.

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From amateur archive footage a 6 episodes film for a new collective memory, after the quarantine period.

Emilia and Caterina write letters to each other, revisiting their adolescent memories and earliest experiences at a boarding school in the 1950s. ​Did they choose the lives they truly wanted, or only those they dared to imagine?

"He and I" narrates the reflections of a woman in her role as wife and mother lived between imposition and choice. Through the editing of the shootings of a single filmmaker who portrays his wife and life, the woman narrates herself being in opposition to her husband’s world, a militant always far from home. A reworking of female status as a political act to tell that love is an act of acceptance of differences and that personal memories are part of the collective history.