Toomas Raudam

The police get a call-out to a lonely hotel in the Alps. When an officer gets to the hotel everything seems to be alright. Suddenly, an avalanche cuts them off from the rest of the world and strange things start happening.

Police officer Jensen orders the evacuation of a leading media group's office building after a bomb threat is made. There won't be any explosion, however, the media group sustains big losses because of the work stoppage and the management requires investigation of the case. Officer Jensen identifies six suspects, then finds out that he is being followed himself, especially when he gets involved in the obscure activities of the mysterious 31st department.

The Estonians and Latvians join hands in this jointly produced Baltic comedy about love and theft centering on light-fingered Margita. Everything and anything that hasn't been nailed to the spot winds up in her possession - whether it's a wallet belonging to a passer-by or a Jeep. But the police are on to her and the streets of Riga are becoming just a little too dangerous for Margita these days (played by rising Latvian star Rezija Kalniņa). She decides to break camp and hitchhike her way up north coming to rest at a little place called Vineeri in Estonia, where she soon finds herself looking after an entire household, including three men and a small boy.

Brother and sister Kusti and Iti get lost in a forest while picking strawberries and are captured by an evil forest hag. They are made to work for her. The hag has a son called Bumpy whom Iti befriends. When they get a chance to escape, they decide to take Bumpy with them.

In the final weeks of the existence of the Soviet empire, a number of unusual films were released. In this wry Estonian comedy, a woman with an unusual talent for mimicry which eventually earns her a career on the radio between WWII and the Russian resettlement of that country (with a corresponding deportation of millions of Estonians to Siberia). In an absurd fashion, her self-generate sound effects help her get out of all sorts of scrapes with the authorities. When those fail, her incredible nonchalance succeeds. By the end of the film, it becomes clear that she has bestowed her inimitable imitative gift on her newborn son, as well.

In post-World War II Estonia, Mait Kukemeri, an activist of the Young Communist League arrives to the Metsa collective farm in the back of a traveling cinema truck. As a commissary of the spring sowing, he has orders to usher all the people to the field, even if the water is high enough to soak your boots and the machines sink in the mud. Harald Tuvikene, the head of the farm, keeps dragging his feet, trying to pitch his peasant wisdom against the senseless demands of the central power. For the first time in his life, Kukemeri faces a real problem - does he do what's right or does he follow the party's inept commands in order to further his own career?

Aurora, the new head of the culture centre in a small Estonian town, and her ward, nicknamed Lumumba, change the lives of Rein and his father who are crushed with grief. Together with their friend Elsa, the boys decide to introduce Rein's father to Aurora in order to make them feel less lonely.