Hélène Surgère

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

Who is Patient Number 4, and what does he have to do with the Van Oranje-Nassau's, the Dutch royal family?

When Camille falls ill, she is forced to live with Philibert and Franck.

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

Because she picked the wrong door, Anna ends up confessing her marriage problems to a financial adviser named William Faber. Touched by her distress, somewhat excited as well, Faber does not have the courage to tell her that he is not a psychiatrist. From appointment to appointment, a strange ritual is created between them. William is moved and fascinated to hear the secrets no man ever heard.

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Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime.

On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

Following a stint as a WWII fighter pilot, Belgian-born Edouard falls in love with an Indonesian woman, has a daughter with her and immigrates to Australia, all without the knowledge of his family back home. Years later, his love has passed away, and he's raising his daughter on his own. When his brother calls seeking help with his failing wool-processing company, Edouard agrees to temporarily return home to aid him.

Two rival "brothers-in-law" make a bet that they can stop smoking for 2 weeks. But, it's just not that easy...

Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.

A woman falls in love with the man who killed her former boyfriend.

François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant

In the 1930s, we follow the story of the laundress Berthe who marries the eldest son of a bourgeois family.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

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This comedy brings Pierre Richard and Michel Piccoli together onscreen once again. In the story, former professor Henri Toussaint Piccoli has been locked away in a psychiatric ward for some years for trying to strangle his wife when he found her in bed with another man. Now she has a terminal illness, and wants some sort of reconciliation with him. His therapist (Richard) decides to permit him to visit with her, provided he comes along. Except for his wide mood swings and occasional outbursts of lewd muttering, the professor "passes" for sane fairly easily. Not so the psychotic (Dominique Pinon) who stows away in the psychiatrist's car, who constantly calls attention to the other two.