Mariangela Gualtieri
Acting
Known For

The early short films by Cesare Ronconi, winners at Salsomaggiore in 1985—a festival directed by Adriano Aprà and crafted with the collaboration of Marco Melani—are a remarkable experiment in cinematic form. Featuring static framing, these films unfold in a cosmic/comic loop that defies traditional staging and video conventions, offering a groundbreaking approach to visual storytelling.
Deity's Finishing on Eva Dawning + Deity's Desire on Eva Dawning

Twelve young actors, a poetess, and a director spend together three months in a theater in the middle of woods. Every day the poet Mariangela Gualtieri writes poetry drawing inspiration from the girls and guys themselves.The group of actors is trained by the director Cesare Ronconi to become a chorus, a unique body compact on stage. At the same time every actor is pushed to fathom their own solitude. The winter wood around the theater becomes the labyrinth to face where everyone looses themselves.
Gli indocili

Folgorazioni begins that path of “manipulation” of materials (filmed and refilmed, altered, stripped of all that is appearance) that we also find in the latest Come cani, come angeli. Divided into eleven fragments of different lengths, the film starts from physical violence to arrive at the mystery of life and death, the enigma that accompanies Valdoca’s works.
Folgorazioni

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Confini

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Fine Fine è il respiro

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Noi bambini, noi aghi di pini
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Enigma. Requiem per Pinocchio
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Appunti di lavoro per Mistero Cosmico Comico

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Come cani, come angeli
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