Directing
The old story with a slight twist: girl meets boy, frozen in stylized monologues, in whirring synthesizers, with the ghostly original sounds and excruciatingly slow camera movements.
Carla runs messages throughout a city periphery. She drives, eats, and sleeps in the car.
Three female photojournalists on outside duty. They are supplying interviews with notorious murderers and rapists. On a weekend trip to the idyll of a mountain landscape something strange occurs..
Once upon a Sunday afternoon, Maria burned the bread... A fairy tale. A play with archtypal motifs. An excursion into difficult terrain.
What does a lion think when he sees a person in a wheelchair in the desert? - "Meals on Wheels..."
The heart is still beating; the eyes can see, the ears can hear. Nights of the full moon, horror stories, disquiet. The spirits from the past are returning. Death is implicated... and grief.
"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)
"Masculinity" is the subject of this film. Harald, the protagonist, fails in his blind attempt to prove his masculinity at Maria's expense. The Stone Age is over. Is it really?
Herbert and Rosa Felsen meet at their lawyer's office to take possession of an inheritance. Herbert is expecting to receive the lion's share, but after greetings are sent from beyond the grave, Rosa receives the key to a safe...
As one of our programmers put it, “This is delightful, the most Viennese thing I can imagine.” As the title spells out, the director documents her desperate, valiant, lockdown-era efforts to help retain a small grocery business in her Gemeindebau (subsidized tenement block) and does via an accessibly personal film that tackles complex, serious subject matters with intelligence, sensitivity, great humor, and even touches of unapologetic silliness.
In the beginning is the sea. Night over the harbour. Then a plane takes off. Dana, the friend, leaves the airport building. Dana, the milliner, leaves the millinery. Dana, the traveller, sits in the train.
