Mohamed Mrad

The Fallujah series is based on a true story, and the series deals with adolescent issues and the problems of institute students.. and will present different topics that revolve around institute students

It tells the historical events that took place in the last years of the reign of reformed reformer Ahmad Bey I (ruled between 1837 and 1855), including reforms and reforms of Khairuddin Pasha in Tunisia and the political, financial, economic and social crises experienced by the Tunisian country.

The series takes place between the era of Jahiliyya and the beginning of the Umayyad caliphate, and presents the history of the Arab sword by documenting the most important stations that Arabs went through throughout the ages.

After a brutal car accident, Ahmed, a driven young businessman, is critically injured and trapped in a Tunisian public hospital with his younger brother Nour. Thrust into an unfamiliar, chaotic system, he discovers a world of pain, waiting, and silent resilience. As Nour clings to life, Ahmed is forced to confront his own values, social inequality, and the fragility of control. His experience becomes a powerful lens through which the film critiques Tunisia’s struggling public healthcare system—marked by neglect and human suffering. This unexpected ordeal transforms Ahmed, reshaping his bond with Nour and his view of the world forever.

After the death of Arbi Sallemi, his children are forced to confront long-buried tensions, family rivalries, and financial struggles. What begins as a father’s attempt to reunite his fractured family soon turns into a battle over inheritance, as his children navigate grief, resentment, and personal ambition. With secrets unraveling and conflicts escalating, the fight for what remains threatens to tear them apart.

The series delves into the social depths, tracing the development of those human relationships that oscillate between solidarity and conflict, as events unfold to place a group of women in fateful situations that require strength and decisiveness.

In an imaginary and fantastic world approaching the setting of Paradise, we witness the unfolding of the trial of Adam and Eve following the theft of an apple. Within the court, comedy takes its place by adopting current ambiguities in the context mentioned. And finally, the verdict is delivered to the surprise of the accused

Yassine, the son of an authoritarian father and a depressive mother, has managed to maintain a relatively balanced facade throughout his life. It is his powerful crush on Leïla, a classmate, that will finally tip this precarious balance.

After an evening in a nightclub and a swim at dawn, three young people, SONIA, FAFOU and YANIS, sneak into a villa, invited by the latter. They settle down there until they meet unexpectedly the owner on a swivel chair. KATEB, a writer, turns out to be manipulative and mysterious. His meeting with YANIS reveals to us the life story of the young man who has identified with his latest book. Is KATEB simply the author of a story looking like the young man's?