Jorge Peña Martín

The director of the film suffers from a vertigo attack in a hot air balloon. From that point on, an investigation begins in which he delves into his personal universe to try to understand his new phobia.

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A memory exercise, a crystalized moment in time that captures poetic and existential quotidian gestures. A journey into a world of estrangement in which nothing is what it seems, yet it gives way to the vision of a better future after the storm. A work that begins with a sequence of correspondences in the distance to gradually become an essay that reflects on the perception of time, confinement, the impact of man on nature and the very act of filmmaking.

At the age of eighty-two, Carrete wants to fulfil a dream before the end of his career as a dancer: to perform in a great theatre in New York. Despite his tireless enthusiasm, his health tells him that his days as a flamenco master are coming to an end. His art saved him from starvation and the cinemas sheltered him from the cold during the Spanish post-war period. And it was on the big screen that he met his admired Fred Astaire, who settled in his imagination as a fantasy to aspire to. And as he awaits his long-awaited American adventure, Carrete looks back on his past. Joaquín, one of his sons, who was a talented guitarist and whose hopes were dashed by prison, wants to play again. Father and son try to find each other again, while the mirage of the giant skyscrapers fades away, revealing the reality.

Heart of the Generacion 27, Spanish poet Emilio Prados recalls his lifetime from Mexican exile where Spanish Civil War has forced him, as other Spanish intellectuals in 1930s.