Ernesto Loaiza

A person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.

After losing everything, a sentimental Maned Wolf wanders around Brazil in search of a new home.

Tatisa eagerly gets ready to go to the highly anticipated Green Ball, but chooses to ignore her father who is dying in silence in the next room. Her friend Lu, who anticipates this tragic end, tries to help her come to terms with the inevitability of loss. Amidst the sparkle of beads and the obscurity of death, Tatisa finds herself paralyzed in her denial, unable to accept the impending grief.

Recently widowed from a fisherman, Cilene faces both grief and the struggle to survive. She turns to José, the son of a neighbor, who helps her keep the fishing alive. Guided by the ebb and flow of the tide, Cilene and José find a bond in the depths of their emptiness.

the non-control, the end of the image, the end of the world. the last breath of the city. the last attempt to mend what is about to implode. the work to the sound of the symphony of the end.

Juana's parents are getting a divorce. She doesn't know it, but deep down, she does. Amidst absences and small moments, Juana tries to reclaim the love and lightness of her family life. Which is difficult, because her parents are never together. Most of the times, her father just isn't there. Until he is. "Five, Six, Seven, Eight" is a film about love that, even when it seems to no longer be there, never truly ceases to exist.

A heavy rain hits a dike, leaving it on the verge of a collapse. There is no safety and it is not possible to predict when it’s gonna end.