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Sanaz Sohrabi

Sanaz Sohrabi

Directing

Biography

Sanaz Sohrabi (b.1988, Tehran) is a researcher of visual culture, artist-filmmaker, and an Assistant Professor in the department of Communication and Media Studies at Concordia University, Montréal. Sohrabi works with essay film and installation as her means of research to explore the shifting and migratory paths between still and moving images, situating a singular image in a continuum of historical relations and archival temporalities. Since 2017, Sohrabi has done extensive archival research at the British Petroleum archives to engage with the history of photography and film practices of the colonial British controlled oil operations in Iran, conducting a visual ethnography of resource extraction in relation to the media infrastructures of BP. Sohrabi’s ongoing project explores the contested historical role that visual representations of oil have played in shaping postcolonial sovereignty and resource nationalism in Iran and the Global South more broadly. Her current project is conceived as a trilogy of essay films, the first episode of which “One Image, Two Acts,” has been internationally screened and exhibited since November 2020 and has been widely acclaimed. The second episode of this trilogy of films is titled “Scenes of Extraction” and was commissioned by VOX Centre de l'image contemporaine in Montréal and premiered at Berlinale Forum Expanded in February 2023. Her first feature documentary and the final episode of this trilogy is titled “An Incomplete Calendar.” The film is centered around the postcolonial image politics of the Organization of the Petroleum Exporting Countries (OPEC) and its establishment in Baghdad in 1960 as the first oil alliance ever formed from the Global South to challenge the economic dominance of the seven major Western oil companies known as the “Seven Sisters.” “An Incomplete Calendar” had its World Premiere at Cinéma du Réel in March 2026. Sohrabi received her BFA from Uni­ver­sity of Tehran College of Fine Arts and an MFA from the School of the Art Institute of Chicago with a merit scholarship. She holds a PhD from the Center for Interdisciplinary Studies in Society and Culture at Concordia University, supported by the Fonds de Recherche du Québec Société et Culture at Concordia University, Montréal. Sohrabi is also a member of the research group “Oil Cultures from the Middle East and Latin America (OCMELA),” with whom she has published a conversation with Murtaza Vali, titled “Petromobilities in the Global South,” released by Museumsforlaget in Norway in March 2022.

Known For

One Image, Two Acts
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One Image, Two Acts examines the photographic archives of British Petroleum during its operations in Iran, unraveling BP’s widespread construction of cinemas in the oil towns of Iran. The film is a coalescence of infrastructures, images, and archives of oil wherein cinematic time and geological time mobilize different sites, temporalities, and numerous material modalities in the colonial episteme.

One Image, Two Acts

2020
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An Essay Film by Sanaz Sohrabi

The Glory, the Human, and the Mother: a Cartography

2017
An Incomplete Calendar
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A forgotten musical record connects Caracas to Tehran, revealing untold stories of oil, not as a commodity, but as a political leverage for the liberation struggles in Palestine and building Pan-Arab solidarity between 1960-1970.

An Incomplete Calendar

2026
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Sanaz Sohrabi’s video-essay Auxiliary Mirrors addresses idea of the collective camera by examining the case of Zinedine Zidane’s head-butt in the final match of the 2006 World Cup soccer. This iconic moment was constructed by the mass circulation through media, creating a plethora of images by a multitude of creators, for world-wide spectatorship. Despite being a highly documented and viewed incident, the multiplication of these factors make the “truth” about what happened between the two actors difficult to attain. Following this examination, Sohrabi turns to an archival photograph during the analog era; in which the role of the medium and its author is central.

Auxiliary Mirrors

2016
Scenes of Extraction
10.0

An archival constellation from the still and moving images of the British Petroleum Archives, documenting the expansive colonial network behind the British geophysical expeditions that spanned across Iran in the early 20th century.

Scenes of Extraction

2023