Suzuyuki Kaneko

In the Warring States period, young orphan Xin vows to aid King Zheng of Qin in his quest to unify China by becoming a general himself.

Commemorating the 120th anniversary of Ozu Yasujiro's birth, six up-and-coming filmmakers remade six of his early silent films as a contemporary mini-series.

When panic erupts on a Tokyo-bound bullet train that will explode if it slows below 100 kph, authorities race against time to save everyone on board.

Let’s drink between everyday and extraordinary !!! Toru Seino has a lot of terrifying “ghost stories” that he heard directly from his friends, acquaintances and others. Why don’t you actually go to the mysterious scene and drink “liquor”? I want to see “ghosts” because it’s okay to call them once. But scary … but I want to see … scary scary ..

Keita discovers a missing boy in the woods and soon receives a mysterious videotape from his estranged mother.

In consequence of his professional mistakes and declining career, Shuji and his family, the Sasaya’s, are forced to leave the wealthy suburb of Tokyo. The move is slow, long and heartbreaking, and the two Sasaya children, an old teenager and a young adult, unwittingly turn the grieving process into an exuberant and unpredictable farewell party!

On the bus passing through a quiet countryside, picks up a weird woman dressed man who turns out to be a cutthroat starting to kill the passengers one by one aiming to achieve the love from the guy on board whom he had a crush on.

A bus is driving along a straight road in the quiet countryside. At a stop, a creepy cross-dresser with a shovel gets on board. He immediately smashes the head of one of the passengers and tells the driver to not stop for anything. The murderous transvestite tries to force one of the passengers, Chu-ya, who has met him before, to marry him. The bus quickly becomes a hellish scene as the passengers start to get involved. What will happen on this crazy road of love?

Eighteen months have gone by and Kudo and Ichikawa are still lost in a parallel universe. When they vanished, a giant appeared in the sky above Shinjuku.

When sophomore university student Nanamori meets Mugito, they decide to join a club. Intrigued by the Plushies Club, they soon realize it is not a place where people make plushies, but rather one where members are welcome to talk to stuffed animals about their feelings, or anything they might not want to discuss with other people. An introvert’s paradise. A safe space. An escape from society’s pressures and rules. For Nananori, it’s a natural fit: the club allows him to explore his uneasiness about dating and society’s imposed gender roles. But soon, an overwhelmed Mugito disappears, and the more pragmatic club member Shiraki begins voicing opposition to the group’s insular methods. Real life encroaches.

Junior high school student Yuki, a member of a travelling theater troupe, changes schools every month for performances. Because of this, he does not expect to meet people at any of his schools and does not try to make friends. However, when he attends a new school, his homeroom teacher asks him to deliver something to a classmate who hasn't been coming to school, but has excellent grades. By chance, he becomes friends with him, and Ken's ex-girlfriend Maya joins them, and as the three of them spend more and more time together, Yuki begins to wish that they could see him on stage as an actor.

In this sixth installment, director Kudo enlists the help of powerful psychic Dogen , physicist Masahiko Saito, and idol Akari, to make a big movie while investigating the abandoned "Tatari Village", where anyone who enters goes insane or dies.

No description available.

A story about love and sex between a women and a man: Yuko is working at a major corporation and has a good salary.

One day, Mizuki Maehara, an actor, suddenly broke up with his girlfriend of five years, Midori Shimizu. With a single-minded desire to somehow get back together, he asks around for advice about his lost love and decides to wait until his 25th birthday, which will come in a month. However, no matter how long he waits, he hears nothing from Shimizu... This is "30 days of love and obsession" of a man who is going right and left with faint hopes of getting back together with Shimizu.

Chika Kuboyama, Yoshio Hosokawa, and director Kôji Shiraishi gather for director Shûsuke Kaneko's son, Suzuyuki's birthday. As per usual, the cameras are rolling when suddenly Kaneko makes an outrageous remark.

A group of five people has occupied a traditional Japanese house, living there in a kind of commune where the only rule is that they accept everybody and that they all do their share in chores and contribute financially. However, the local town office wants them out of there, even though they have no particular reason to evict them, and has dispatched a number of public servants to ask them to leave, to no avail.

In 2030, TOKYO. A.I. assistant service robots for practical use are increasing in human lives. They are now able to support humans for schedule management and communications. They also help humans as parts of functions in social media application services. Providing companies data such as personal hobbies, preferences, behavior analysis, A.I. is used in common for the development of technologies. Living in an era that A.I. and humans coexist, what problems do humans face?

No description available.