Jérémie Lapeyre

Richard, a 40-year-old filmmaker conquered by an unexplained anxiety attack, lets go of his current shoot and wanders through nocturnal Paris, in search of answers, solace and inspiration. During this sleepless night, at random encounters, sometimes warm, sometimes disturbing, crossing foreign figures, unknown bodies or familiar faces, Richard will face his fears and question his deep desires... until dawn.

Frig — a film in three parts (Love, Shit and Sperm) — is an experimental drama beginning with the end of a love affair. Love and the resulting experience are presented as a metaphor that goes beyond the personal and into a deeper consideration of life’s cycles, ultimately becoming a reflection on life, death and rebirth. Opening with a personal poem and accompanied by fragmented images, the film plunge into Sade’s universe in “120 Days of Sodom” and charts the descent into one’s own, personal hell, revealing the hidden face of society.

Daniel is an artist who has lost his desire to paint. An unexpected meeting with three « working girls » one evening marks the beginning of a surreal adventure. Later that night, the wildest dreams and the worst nightmares of his three new muses unravel in his imagination.

One evening, in his apartment in Paris, Lorenzo is getting ready to receive Marvin for the first time, a boy he really likes. Marvin shows up at the door with Thomas, a homeless man he met on the street in need of a shower. Lorenzo doesn’t dare say no.

Facing Francisco, each protagonist strips off in front of his camera and speak about themselves in a documentary format, animated in rotoscopy with more than 500 blue ballpoint pen drawings.

A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.