Bernardo Pérez

Jaime, a nostalgic old man, gets a device that can make him relive his memories, which he uses to see the last Christmas he lived with his family in 1995. This will show him that all memories have a price.

Helen lives with her son Bruno, but Bruno doesn't behave like a normal kid. She will have to overcome the mourning crisis to withstand reality.

An elderly street guitarist is helped by a unique passerby after being robbed. Together they will try to recover the lost money.

Irma, a woman originally from an indigenous region in Mexico, migrates to the city. As she navigates the streets of this new environment, she engages in a dialogue with herself. With each word, memories of a past life in which Irma was a jaguar roaming the vast Chinantec region start to emerge.

The communities of San Martin Tilcajete and San Antonio Arrazola in Oaxaca, Mexico are best known for being the main source of the "Alebrijes" (wood carving) in the state; a relatively new but powerful tradition in mexican folklore. In both communities, there is a family that claims they're father started this tradition in all the state of Oaxaca.

Through an unsent letter, the author travels through time and recalls moments when love affected him intensely. Evocative images explore how pain and beauty intertwine with maturity on a journey guided by childhood friends, political disappointments, fleeting romances, and the loss of loved ones.

Poncho, an 8-year-old boy, becomes obsessed with finishing a time machine, since he wants to meet Papá Nacho, his grandfather, again; who passed away months ago.

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In an effort to forget his dead wife, an old man drowning in his memories decides, with the help of a young scavenger, to get rid of all the items of the home he formed with her.

In a post-zombie apocalyptic Mexico, Gabriela wanders around Mexico City with only one goal: to find her missing boyfriend.