Daniela Escolar

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Mateo and Lucía are moving abroad. The day before leaving, Mateo reunites with his lifelong friend, Dionisio, to spend one last summer afternoon together. However, as their inevitable goodbye inches closer, Mateo begins to perceive a series of strange events. In particular, he begins to hear a goat's bleat…

The Felpetos have managed a clandestine lottery business for decades. The family enterprise operates in a small housing development. Maribel leads a crew of clerks who log the bets from her living room. Alejandra, her mother, lives in an identicalhouse just a few meters away, which serves as the administrative office. Some lotto bankers have been raided lately, and the atmosphere in the neighborhood has become strage since. There has been talk about police dismissals and big-money movements. Nobody can tell what is true from the rumors or the news on TV

Dance becomes a vehicle to show love's different phases. Amor y Asfixia consists of three scenes that seek to dismantle certain social stereotypes linked to the women's body and its role in dance. It's a short film that experiments with the human body to initiate a bigger discussion.

Clavo is a romantic daydreamer of a boy. Polilla is a fierce and beautiful girl. They both wake up in a strange world with a terrible thirst; a world where trees have faces, and where unique and fearful creatures roam. Above all things, and nevertheless, there are no sources of food to be found. Therefore, Clavo and Polilla must come up with a plan in order to survive.

No description available.

A human comes into possession of a strange artifact that allows them to accelerate into an advanced stage of human evolution. Their transformation is initially terrifying, but eventually accepted. The old body dies and a new state of being emerges.

"Cáscara" is a contemporary dance piece composed for Vórtice company and directed by Luciano Cejas.

Vorágine follows the lives of a group of young dancers over the course of a year and a half in post-pandemic Argentina. Through rehearsals, spontaneous conversations, and shared pauses in dressing rooms and city spaces, it captures the emotional and physical intensity of artistic work, the essence of youth, and the strength of human connection, alongside the desires and uncertainties they face. It is an intimate portrait, immersed in the everyday rhythm of creation and life, torn between passion and weariness, staying and leaving.

One night, Tomás, a hotel manager with a criminal past, confronts a guest playing loud music in the lobby, who claims to be waiting for her lover. He soon learns his former criminal group, led by his brother, wants to capture her to force the lover -apparently hiding in the hotel- to appear. In an effort to protect this unknown woman, Tomás faces the past he's tried to escape.