Directing
A home movie in the ruins of modern architecture. A arborescent stream of consciousness that gloats over one of the most elementary cinematic mysteries—the thrill of discovering a secret.
"There was a time when carob trees were our founthead of life. When you could serenely see rabbits, armadillos and many other species. The night that the white man appeared the black eagle warned us: 'Danger, Danger'
A short and moving journey into the universal topics of friendship, youth, love and death.
A sick man takes on a trip with no return. A filmmaker proposes to film that trip. This is the result of the experience.
In 2017, playwright Marco Canale staged a play called La velocidad de la luz (“The Speed of Light”) in the Villa 31 slum. There, a group of indigenous elderly ladies recovered their traditions in order to explore their bonds with modern culture, religion, politics and their own memories. Three years later, Canale replicated the idea in Japan and structured this film, together with Juan Fernández Gebauer and Ignacio Ragone, that revolves around that experience.
When you hate, a wallet is a treasure, the dance is hell, and the other is an enemy. Hate destroys even what is loved.
No description available.
Letters, photos, furniture, hats, pipes, combs, eyeglasses, pens, pen holders, infinite books. An inventory of all, almost all, or simply some of the things that rest in the neocolonial house of a man whose name was Ricardo Rojas and who, one hundred years ago, wrote a delirious book called Eurindia.
Can you walk around completely unnoticed for a day?
LucĂa Lubarsky investigates her relationship with the men in her family and her brother's life. What were their desires, their silences and mandates? She interviews different men and meets Bicho, AndrĂ©s and Emmanuel, diverse men who seek to build themselves as men far from what was expected of them.
An experienced fisherman is hired to try to find something that, apparently, is simply a fantasy installed in society.
