Shek Keong Wong

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

During the COVID-19 pandemic, an owner of a cleaning company meets a young mother and her daughter. Would their encounter save each other during the recession of Hong Kong's economy?

A Hong Kong pastor faces an impossible test of faith when the young man responsible for his daughter's death arrives at his church seeking both salvation and shelter.

During a diamond heist, one of the security escorts steals the diamonds and flees. Fellow security escorts Yau Shing and Jelly are forced to help the robber track down the diamond. Tracking the diamonds, they stumble into a secluded village. While they clash with the weird villagers, the three men suspect that they are being haunted by a female ghost.

The chaos began at the Winter Solstice dinner eight years ago. The father lost his temper, the son, not able to forgive his father, ran away from home. Eight years have passed, and the family's relationship is still cold and distant. A cousin returns to Hong Kong from England and hopes to gather everyone for a Winter Solstice dinner. The long-awaited gathering prompted everyone to rethink their relationships with family members. Some choose to leave, some are back. When things are about to fall apart, it might as well be an opportunity to mend connections.

Lok is a recovering schizophrenic who yearns for love. One day, he encounters the young and beautiful Yan and quickly falls in love with her. The pair develops a relationship that is beyond their wildest dreams.

Ching’s parents are retirees ready to leave for Taiwan where a new chapter awaits them. The only thing holding them back is their daughter’s hesitation to join them. Unbeknownst to them, Ching is stuck in an affair with a married man. She is constantly teetering between trust and distrust, clinging on unfulfilled promises instead of letting go. Life has presented a difficult crossroad to her as she weighs between acting for her own good and following what the heart desires.

In the insurance exam hall, Wing is afraid of being categorized as social failures. She trains hard to be professional. However Wing is pressured by the examiner Chan and it’s been tough. With Wing’s pure heart, the system slowly malfunctions… When life gives you lemon, you make lemon tea and you swallow it. But is this our only way out?

Two men, a suit and tie by day, turn urban strollers at night and loiter aimlessly around the labyrinth of streets, MTR stations, bars and playgrounds, seeking an escapade from responsibilities that weigh heavily on the mind and fatigue that never goes away. A young woman who has all the time to kill goes to movies and private gigs and answers a stream of inconsequential calls. For a doomsday believer who distributes leaflets to ‘help’ non-believer, it’s Apocalypse Now! It’s inevitable their paths cross at some junctures just as the night passes and a new day dawns.

Ms Chan, a social worker who has just returned to work, receives her first case. She pays a visit to Jia, a single elderly who seems to have accidentally dialled the Care-on-Call Service. Jia has suspicious bruises on his face and Ms. Chan senses a possible family abuse situation. However, Jia’s attitude is unwelcoming and he sends her off right away. Since then, a series of peculiar events make Ms. Chan question her own sense of reality and sanity.

Exceeding all his expectations, Ming is chosen to represent his school at running. He treasures this last opportunity in his secondary school life and does his very best to prepare for it. However, on the eve of the competition, he decides to give the opportunity to his best friend. There is more to competition than just the end result. Pride, dignity, dreams and friendship are put to the best.

Hong Kong, at the height of the protests. A young woman visits her father, whom she has not seen for a while. Her plan is to have lunch with him before the Umbrella Movement reaches a critical juncture. Celebrated, committed filmmaker Ying Liang contributed with a beautiful moving short with an special angle asking: Where do we live, and what is citizenship?

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

Ah Poon is a man of strong principles, and adopts Lu Xun’s quote of “Fierce-browed, I coolly defy a thousand pointing fingers” as his motto. When he gets into a fight with school authority because of something written by his daughter, he takes his daughter away in rage. Is Ah Poon right or wrong?

In a traditional fishing village where most youngsters have left to work in the city, the older generations are left behind. Ren, a widow who lives in the village helps her neighbour, Mrs Wah, to deliver a gift to her son, Chung in the city. Ren finds out that Chung is leading a harsh life. Back in the village, there is no one with whom she can share this secret. The only refuge from the sleepless night is her deceased husband. A Thousand Sails is a short tale about the poignant separation between city and village, mother and son, life and death. With long shots and sophisticated art direction, Eric Tsang Hing-weng compellingly captures the actors’ performances, especially that of Professor Chow Po-chung’s surprising debut.

Angela has no doubt that "one of these days, father will come back from the outer space to take her away because he is an alien." This thought was instilled by Angela's mother who committed suicide due to severe mental illness. Ever under the watchful eyes of her grandmother and psychiatrist, Angela starts to hear voices from the sky. Weary and scared, the grandmother has no choice but to send Angela for hospitalization. Angela's belief and longing for reunion with her parents grow stronger than ever. Eventually, she takes a leap of faith in finding her own destiny.

Fish, an aspiring painter, leaves the safe haven of home and moves into a dwelling unit inside an industrial building. Carrying a mixed bag of ambivalence and possibilities, her new independence shares the upsides and downsides of a subsistence living in the enclave of artists and musicians, where the strains of life – dissatisfaction with the government and an ever-looming threat of eviction – are tempered by a healthy dose of optimism and humour. The habitat of Fish and company may not be the land of la dolce vita but it’s an oasis of dreams in a desert of reality, however transient and haphazard.

Security guard Cheung is a loving father who takes good care of his children. As his kids grow older, they have their own lives and that leaves Chueng feeling lonely. He displaces his fatherly love onto his colleague Sheung's young children instead. This innocent act, however, makes his daughter suspect that Cheung and Sheung are having an affair and a small incident risks being blown out of scale.

From the vast expanse of land and sky comes a wild child with a camel into the city. They encounter a policeman who is fascinated by this mysterious child seemingly isolated from human contact and culture. The policeman tries to establish communication through language without success. As he learns more about the child, the latter inspires him to let go and find his long-lost freedom. Conventional interactions between people mask our true instincts and qualities that only emanate when we return to the basics.

Just about dawn every day, the young shopkeeper meets her “friend”, the magazine delivery boy, the one she can only talk to all night long. Tonight is going to be their last night to meet. Nothing really happens, as usual.