Yaela Gottlieb

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While going through files to edit a movie about her father, the filmmaker discovers that her German great-uncle may be the first inventor of an image capture system.

In 1958, Robert Gottlieb was forced to renounce his Romanian citizenship in order to migrate to Israel. 50 years later, his daughter Yaela (re)builds that route but her father’s story does not match the places she knew. Family mandates and ghosts of the past get materialized. Him from Lima and her from Buenos Aires, for the first time, find an undeniable gap that leads her towonder: who her father is

A director returns to the town he was born to record the movie theaters that are disappearing. The town is no longer the same. He projects images on the walls of the houses, giving life to those dead spaces. Time absorbs both the history of the town and the director’s family. His father is no longer there and neither are films.

In a world that promises a perfect life, Marie Anne tries to escape. At that point, all trace of her is lost forever.

Two brothers reconstruct a possible family (in) memory from found photographs.

Two filmmaker friends reconnect through the stories of their abortions. They embark on a journey between Buenos Aires and northern Italy, driven by the need to overcome trauma. This trip brings them closer to other women, each with their own stories and experiences, but these stories encounter their own limitation: that of not being able to represent an experience. The adventure that began as a search for intimacy becomes a starting point for the imagination.

In a remote village between mountains and the Jordan River, near a district called Jerusalem, everyday life appears to unfold in deceptive calm.