Jo Pollux

Non-binary film maker Toni Karat invited queer and sex-positive people of the ‘Berlin porn bubble’ for this impressive documentary about narcissism and self-love. In authentic and touching self-reflective interviews ten protagonists who are as diverse as possible – lesbian, gay, queer, trans, non-binary and often over 50 – tell their sexual stories and contemplate their personal journeys and struggles. It’s an almost philosophical little masterpiece with a lot of honesty and authenticity on both sides of the camera.

This damp and amphibious track extrapolates from field recordings of an immense network of stuttering frogs, which were encountered Yorta Yorta country in South-Eastern Australia. The frogs reacted to their presence and movement by altering the intensity and volume of their vocalizations, creating an organic techno.

Spit and Ashes is a reimagining of the historical violence waged against women by patriarchal forces in the name of religion, medicine and family. The High Priestess embodies the wild, sexual and grotesque - the un-tamable hunger of female desire and the ultimate threat to male power. The Midwife is the spirit of all women who sought knowledge and agency over their own bodies and paid for their agency with their lives. Through a series of erotic and brutal rituals these women come together to reclaim their bodies and prepare for the fight ahead.

A metaphysical trip of self-awareness, from the seven principles of Hermeticism to the seven keys to master our lives.

A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.

Passage by Jo Pollux

The evening sun falls on the roof of an industrial building. Two individuals meet – whether intentionally or by accident remains unclear. What follows is a scene in which dream and reality are very close. Blue hour is cruising, with a difference.

Wilhelm Reich’s mythical Orgone Accumulator: part science experiment, part esoteric fuck machine, part reverse glory hole.

Five young Berlin filmmakers have come together and filmed their sexual daydreams. The result is a foray through urban landscapes: a cruising space is waiting on the parking garage roof. Painful power games relax in a cramped basement vault. And in the old heating power plant you meet for the illegal fist fight. The five short films are rough and playful, aesthetic and explicit: asphalter actress at the finest!

The air is heavy with erotic tension when Jamal and Manon meet in this vivid and stylish t4t tableau. Our duo begins a breath play slow-dance as Manon teases Jamal with a thin bag, dipping the silky plastic into his mouth and over his nose, catching his breath. Adding layers of plastic, Manon smothers her plaything with her fingers, tits, and cunt as Jamal gasps for air. When Manon straps a cock to Jamal’s mouth, he dutifully fucks Manon before offering up his hole to her in an electrifying crescendo.

Madame Manon is proud to show off her gorgeous and so perfectly obedient babydoll Puck Ellington. The Femmedomme uses the doll as her personal toy for pleasure, breaking through the limits of ethically acceptable sex practices.