Acting
The Ten Commandments, exact and uncompromising, literally cast in stone, continues to provide a source of moral conflict in contemporary society. In the ten part collection of films, The Decalogue, Krzysztof Kieślowski examines the dilemma of fundamental sin in the lives of ordinary Warsaw citizens.
Rose, an older woman living in Paris was born in Poland as a daughter of an aristocratic family. Her family house is now an impoverished home for the elderly.
On September 1st, 1939, Nazi Germany invades Poland, unleashing World War II. On September 17th, the Soviet Red Army crosses the border. The Polish army, unable to fight on two fronts, is defeated. Thousands of Polish men, both military and government officials, are captured by the invaders. Their fate will only be known several years later.
Wealthy merchant Stanislaw Wokulski falls tragically in love with beautiful yet vain Izabela Lecka. His unfulfilled love leads to many foolish decisions sealing his fate.
The protagonists of the film are residents of a nursing home run by nuns. One of the nuns, Maria, wants to introduce discipline, but it is not easy. The elderly residents decide to fight for their independence. Their plans are thwarted by the departure of the leader of the rebellion. But the men will not give up so easily.
In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
Biographical documentary film presenting the silhouette and artistic path of the outstanding actor Daniel Olbrychski. The narrative of the main character is confronted with his colleagues and friends, in contemporary interviews, including: with Krystyna Janda, Jerzy Hoffman, Krzysztof Zanussi, Volker Schlondorff and Adam Michnik. The archival materials will include statements and excerpts from the realization of scenes from Andrzej Wajda's films. The film roles of the main character are intertwined with his private life.
A three-part Austrian television film about the life of composer Franz Schubert. The title of the film is a quote from Erstarung (Immobilization), the fourth song in Schubert's song cycle Winterreise (Winter Journey).
In this mixture of fiction and documentary Krzysztof Zanussi invites a number of Poland’s great actors—Maja Komorowowska, Daniel Olbrychski, and Jan Nowicki—to "revisit" characters they played in the director's earlier works.
An epic tale of a hundred years of Polish history from the perspective of women, the titular maidens and widows. Set against the backdrop of turbulent historical events.
Krzysztof, a semantics professor and computer hobbyist, is raising his young son, Paweł, to look to science for answers, while Irena, Paweł’s aunt, lives a life rooted in faith. Over the course of one day, both adults are forced to question their belief systems.
A biology professor, Adam enters a hospital for observation. He is a loner and a serious-minded man, who dislikes any display of emotions. He spends three months in the hospital while being tested. After observing patients and hospital routines around him from a distance, he learns that he will need a kidney transplant. Meanwhile his personal and professional life is falling apart: he refuses his wife's offer to donate the kidney for him; the scientific problem he was working on has been solved elsewhere. In the end Adam cracks under the prolonged pressure, waiting for the sound of an ambulance bringing a moribund patient whose kidney may be used for the transplant.
Young seminary student Franziskus has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie, whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie.
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A young industrial designer named Wit reluctantly returns to his family home to look after his gravely ill father. Upon entering the dark confines of a house he has not visited in six years, Wit once again finds himself exposed to the idiosyncratic pathologies of his father, sister, and aunt.
During the German occupation of a small Polish town, Franciszek Kłos, a lowly local policeman, will stop at nothing to become a Volksdeutsche. Eager to prove his loyalty, he zealously carries out the occupiers' orders. What begins as administrative compliance soon escalates when he commits his first murder of a fellow Pole. Condemned to death by the Polish underground, Kłos outwardly shrugs off the sentence while quietly drowning his growing fear in alcohol. As his inhibitions crumble, he descends deeper into violence—participating in the roundup and execution of hidden Jews, and earning a reputation for brutality even among the SS.
Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past.
Shortly after World War II an American soldier (Norman) and a Polish refugee (Emilia) fall in love. Eventually he will return to the U.S. and both expect that she will soon follow him with her mother. Emilia's mother is sick, but will recover with the right medicine. But the mother, and not Emilia, knows that there will only be one ticket...
Two brothers living in 1939 Poland decide on a whim to steal the limousine of a German consul. The seemingly small act of youthful rebellion will have massive ramifications on the two, each dealing with the aftermath in their own way - one resorts to art, the other to direct political action.
