Juan Fernández

One day, without knowing how or why, the birds of a big city leave, disappear. It is believed to be a protest against environmental pollution. Some children (the Regaliz group), then embark on an ecological campaign to get the birds to return to the city.

The body of a naked man tied to a bed appears in a roadside motel. Sergeant Ruben Bevilacqua (Vila) and his colleague Virginia Chamorro assigned to investigate the case, which is especially delicate because Trinidad Soler, the dead, is a nuclear engineer and have sparked alarmist speculation in the press.

After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.

Spain, 1950s. The corpse of an unknown person appears in the town square of Bocentellas, within the mythical territory of Región. The inhabitants will ask for help to Captain Medina, young officer in command of a nearby military fort, until the arrival of the judge.